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Down the Rabbit-Hole
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Alice was beginning to get very tired of sitting by her sister on the
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bank, and of having nothing to do: once or twice she had peeped into
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the book her sister was reading, but it had no pictures or
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conversations in it, “and what is the use of a book,” thought Alice
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“without pictures or conversations?”
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So she was considering in her own mind (as well as she could, for the
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hot day made her feel very sleepy and stupid), whether the pleasure of
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making a daisy-chain would be worth the trouble of getting up and
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picking the daisies, when suddenly a White Rabbit with pink eyes ran
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close by her.
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There was nothing so very remarkable in that; nor did Alice think it
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so very much out of the way to hear the Rabbit say to itself, “Oh
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dear! Oh dear! I shall be late!” (when she thought it over afterwards,
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it occurred to her that she ought to have wondered at this, but at the
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time it all seemed quite natural); but when the Rabbit actually took a
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watch out of its waistcoat-pocket, and looked at it, and then hurried
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on, Alice started to her feet, for it flashed across her mind that she
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had never before seen a rabbit with either a waistcoat-pocket, or a
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watch to take out of it, and burning with curiosity, she ran across the
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field after it, and fortunately was just in time to see it pop down a
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large rabbit-hole under the hedge.
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In another moment down went Alice after it, never once considering how
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in the world she was to get out again.
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The rabbit-hole went straight on like a tunnel for some way, and then
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dipped suddenly down, so suddenly that Alice had not a moment to think
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about stopping herself before she found herself falling down a very
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deep well.
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Either the well was very deep, or she fell very slowly, for she had
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plenty of time as she went down to look about her and to wonder what
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was going to happen next. First, she tried to look down and make out
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what she was coming to, but it was too dark to see anything; then she
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looked at the sides of the well, and noticed that they were filled with
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cupboards and book-shelves; here and there she saw maps and pictures
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hung upon pegs. She took down a jar from one of the shelves as she
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passed; it was labelled “ORANGE MARMALADE”, but to her great
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disappointment it was empty: she did not like to drop the jar for fear
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of killing somebody underneath, so managed to put it into one of the
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cupboards as she fell past it.
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“Well!” thought Alice to herself, “after such a fall as this, I shall
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think nothing of tumbling down stairs! How brave they’ll all think me
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at home! Why, I wouldn’t say anything about it, even if I fell off the
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top of the house!” (Which was very likely true.)
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Down, down, down. Would the fall never come to an end? “I wonder how
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many miles I’ve fallen by this time?” she said aloud. “I must be
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getting somewhere near the centre of the earth. Let me see: that would
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be four thousand miles down, I think—” (for, you see, Alice had learnt
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several things of this sort in her lessons in the schoolroom, and
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though this was not a very good opportunity for showing off her
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knowledge, as there was no one to listen to her, still it was good
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practice to say it over) “—yes, that’s about the right distance—but
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then I wonder what Latitude or Longitude I’ve got to?” (Alice had no
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idea what Latitude was, or Longitude either, but thought they were nice
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grand words to say.)
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Presently she began again. “I wonder if I shall fall right through
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the earth! How funny it’ll seem to come out among the people that walk
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with their heads downward! The Antipathies, I think—” (she was rather
|
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glad there was no one listening, this time, as it didn’t sound at all
|
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the right word) “—but I shall have to ask them what the name of the
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country is, you know. Please, Ma’am, is this New Zealand or Australia?”
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(and she tried to curtsey as she spoke—fancy curtseying as you’re
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falling through the air! Do you think you could manage it?) “And what
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an ignorant little girl she’ll think me for asking! No, it’ll never do
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to ask: perhaps I shall see it written up somewhere.”
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Down, down, down. There was nothing else to do, so Alice soon began
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talking again. “Dinah’ll miss me very much to-night, I should think!”
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(Dinah was the cat.) “I hope they’ll remember her saucer of milk at
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tea-time. Dinah my dear! I wish you were down here with me! There are
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no mice in the air, I’m afraid, but you might catch a bat, and that’s
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very like a mouse, you know. But do cats eat bats, I wonder?” And here
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Alice began to get rather sleepy, and went on saying to herself, in a
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dreamy sort of way, “Do cats eat bats? Do cats eat bats?” and
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sometimes, “Do bats eat cats?” for, you see, as she couldn’t answer
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either question, it didn’t much matter which way she put it. She felt
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that she was dozing off, and had just begun to dream that she was
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walking hand in hand with Dinah, and saying to her very earnestly,
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“Now, Dinah, tell me the truth: did you ever eat a bat?” when suddenly,
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thump! thump! down she came upon a heap of sticks and dry leaves, and
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the fall was over.
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Alice was not a bit hurt, and she jumped up on to her feet in a moment:
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she looked up, but it was all dark overhead; before her was another
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long passage, and the White Rabbit was still in sight, hurrying down
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it. There was not a moment to be lost: away went Alice like the wind,
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and was just in time to hear it say, as it turned a corner, “Oh my ears
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and whiskers, how late it’s getting!” She was close behind it when she
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turned the corner, but the Rabbit was no longer to be seen: she found
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herself in a long, low hall, which was lit up by a row of lamps hanging
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from the roof.
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There were doors all round the hall, but they were all locked; and when
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Alice had been all the way down one side and up the other, trying every
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door, she walked sadly down the middle, wondering how she was ever to
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get out again.
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Suddenly she came upon a little three-legged table, all made of solid
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glass; there was nothing on it except a tiny golden key, and Alice’s
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first thought was that it might belong to one of the doors of the hall;
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but, alas! either the locks were too large, or the key was too small,
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but at any rate it would not open any of them. However, on the second
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time round, she came upon a low curtain she had not noticed before, and
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behind it was a little door about fifteen inches high: she tried the
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little golden key in the lock, and to her great delight it fitted!
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Alice opened the door and found that it led into a small passage, not
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much larger than a rat-hole: she knelt down and looked along the
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passage into the loveliest garden you ever saw. How she longed to get
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out of that dark hall, and wander about among those beds of bright
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flowers and those cool fountains, but she could not even get her head
|
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through the doorway; “and even if my head would go through,” thought
|
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poor Alice, “it would be of very little use without my shoulders. Oh,
|
|
how I wish I could shut up like a telescope! I think I could, if I only
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knew how to begin.” For, you see, so many out-of-the-way things had
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happened lately, that Alice had begun to think that very few things
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indeed were really impossible.
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There seemed to be no use in waiting by the little door, so she went
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back to the table, half hoping she might find another key on it, or at
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any rate a book of rules for shutting people up like telescopes: this
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time she found a little bottle on it, (“which certainly was not here
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before,” said Alice,) and round the neck of the bottle was a paper
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label, with the words “DRINK ME,” beautifully printed on it in large
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letters.
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It was all very well to say “Drink me,” but the wise little Alice was
|
|
not going to do that in a hurry. “No, I’ll look first,” she said,
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“and see whether it’s marked ‘poison’ or not”; for she had read
|
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several nice little histories about children who had got burnt, and
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eaten up by wild beasts and other unpleasant things, all because they
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would not remember the simple rules their friends had taught them:
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|
such as, that a red-hot poker will burn you if you hold it too long;
|
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and that if you cut your finger very deeply with a knife, it usually
|
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bleeds; and she had never forgotten that, if you drink much from a
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bottle marked “poison,” it is almost certain to disagree with you,
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sooner or later.
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However, this bottle was not marked “poison,” so Alice ventured to
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taste it, and finding it very nice, (it had, in fact, a sort of mixed
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flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and
|
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hot buttered toast,) she very soon finished it off.
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* * * * * * *
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* * * * * *
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* * * * * * *
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“What a curious feeling!” said Alice; “I must be shutting up like a
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telescope.”
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And so it was indeed: she was now only ten inches high, and her face
|
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brightened up at the thought that she was now the right size for going
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through the little door into that lovely garden. First, however, she
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waited for a few minutes to see if she was going to shrink any further:
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she felt a little nervous about this; “for it might end, you know,”
|
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said Alice to herself, “in my going out altogether, like a candle. I
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wonder what I should be like then?” And she tried to fancy what the
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flame of a candle is like after the candle is blown out, for she could
|
|
not remember ever having seen such a thing.
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After a while, finding that nothing more happened, she decided on going
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into the garden at once; but, alas for poor Alice! when she got to the
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door, she found she had forgotten the little golden key, and when she
|
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went back to the table for it, she found she could not possibly reach
|
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it: she could see it quite plainly through the glass, and she tried her
|
|
best to climb up one of the legs of the table, but it was too slippery;
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|
and when she had tired herself out with trying, the poor little thing
|
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sat down and cried.
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“Come, there’s no use in crying like that!” said Alice to herself,
|
|
rather sharply; “I advise you to leave off this minute!” She generally
|
|
gave herself very good advice, (though she very seldom followed it),
|
|
and sometimes she scolded herself so severely as to bring tears into
|
|
her eyes; and once she remembered trying to box her own ears for having
|
|
cheated herself in a game of croquet she was playing against herself,
|
|
for this curious child was very fond of pretending to be two people.
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|
“But it’s no use now,” thought poor Alice, “to pretend to be two
|
|
people! Why, there’s hardly enough of me left to make one respectable
|
|
person!”
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Soon her eye fell on a little glass box that was lying under the table:
|
|
she opened it, and found in it a very small cake, on which the words
|
|
“EAT ME” were beautifully marked in currants. “Well, I’ll eat it,” said
|
|
Alice, “and if it makes me grow larger, I can reach the key; and if it
|
|
makes me grow smaller, I can creep under the door; so either way I’ll
|
|
get into the garden, and I don’t care which happens!”
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She ate a little bit, and said anxiously to herself, “Which way? Which
|
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way?”, holding her hand on the top of her head to feel which way it was
|
|
growing, and she was quite surprised to find that she remained the same
|
|
size: to be sure, this generally happens when one eats cake, but Alice
|
|
had got so much into the way of expecting nothing but out-of-the-way
|
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things to happen, that it seemed quite dull and stupid for life to go
|
|
on in the common way.
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So she set to work, and very soon finished off the cake.
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* * * * * * *
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* * * * * *
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* * * * * * *
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The Pool of Tears
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“Curiouser and curiouser!” cried Alice (she was so much surprised, that
|
|
for the moment she quite forgot how to speak good English); “now I’m
|
|
opening out like the largest telescope that ever was! Good-bye, feet!”
|
|
(for when she looked down at her feet, they seemed to be almost out of
|
|
sight, they were getting so far off). “Oh, my poor little feet, I
|
|
wonder who will put on your shoes and stockings for you now, dears? I’m
|
|
sure I shan’t be able! I shall be a great deal too far off to trouble
|
|
myself about you: you must manage the best way you can;—but I must be
|
|
kind to them,” thought Alice, “or perhaps they won’t walk the way I
|
|
want to go! Let me see: I’ll give them a new pair of boots every
|
|
Christmas.”
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|
|
|
And she went on planning to herself how she would manage it. “They must
|
|
go by the carrier,” she thought; “and how funny it’ll seem, sending
|
|
presents to one’s own feet! And how odd the directions will look!
|
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|
|
Alice’s Right Foot, Esq., Hearthrug, near the Fender, (with
|
|
Alice’s love).
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|
|
Oh dear, what nonsense I’m talking!”
|
|
|
|
Just then her head struck against the roof of the hall: in fact she was
|
|
now more than nine feet high, and she at once took up the little golden
|
|
key and hurried off to the garden door.
|
|
|
|
Poor Alice! It was as much as she could do, lying down on one side, to
|
|
look through into the garden with one eye; but to get through was more
|
|
hopeless than ever: she sat down and began to cry again.
|
|
|
|
“You ought to be ashamed of yourself,” said Alice, “a great girl like
|
|
you,” (she might well say this), “to go on crying in this way! Stop
|
|
this moment, I tell you!” But she went on all the same, shedding
|
|
gallons of tears, until there was a large pool all round her, about
|
|
four inches deep and reaching half down the hall.
|
|
|
|
After a time she heard a little pattering of feet in the distance, and
|
|
she hastily dried her eyes to see what was coming. It was the White
|
|
Rabbit returning, splendidly dressed, with a pair of white kid gloves
|
|
in one hand and a large fan in the other: he came trotting along in a
|
|
great hurry, muttering to himself as he came, “Oh! the Duchess, the
|
|
Duchess! Oh! won’t she be savage if I’ve kept her waiting!” Alice felt
|
|
so desperate that she was ready to ask help of any one; so, when the
|
|
Rabbit came near her, she began, in a low, timid voice, “If you please,
|
|
sir—” The Rabbit started violently, dropped the white kid gloves and
|
|
the fan, and skurried away into the darkness as hard as he could go.
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|
|
Alice took up the fan and gloves, and, as the hall was very hot, she
|
|
kept fanning herself all the time she went on talking: “Dear, dear! How
|
|
queer everything is to-day! And yesterday things went on just as usual.
|
|
I wonder if I’ve been changed in the night? Let me think: was I the
|
|
same when I got up this morning? I almost think I can remember feeling
|
|
a little different. But if I’m not the same, the next question is, Who
|
|
in the world am I? Ah, that’s the great puzzle!” And she began
|
|
thinking over all the children she knew that were of the same age as
|
|
herself, to see if she could have been changed for any of them.
|
|
|
|
“I’m sure I’m not Ada,” she said, “for her hair goes in such long
|
|
ringlets, and mine doesn’t go in ringlets at all; and I’m sure I can’t
|
|
be Mabel, for I know all sorts of things, and she, oh! she knows such a
|
|
very little! Besides, she’s she, and I’m I, and—oh dear, how
|
|
puzzling it all is! I’ll try if I know all the things I used to know.
|
|
Let me see: four times five is twelve, and four times six is thirteen,
|
|
and four times seven is—oh dear! I shall never get to twenty at that
|
|
rate! However, the Multiplication Table doesn’t signify: let’s try
|
|
Geography. London is the capital of Paris, and Paris is the capital of
|
|
Rome, and Rome—no, that’s all wrong, I’m certain! I must have been
|
|
changed for Mabel! I’ll try and say ‘How doth the little—’” and she
|
|
crossed her hands on her lap as if she were saying lessons, and began
|
|
to repeat it, but her voice sounded hoarse and strange, and the words
|
|
did not come the same as they used to do:—
|
|
|
|
“How doth the little crocodile
|
|
Improve his shining tail,
|
|
And pour the waters of the Nile
|
|
On every golden scale!
|
|
|
|
“How cheerfully he seems to grin,
|
|
How neatly spread his claws,
|
|
And welcome little fishes in
|
|
With gently smiling jaws!”
|
|
|
|
|
|
“I’m sure those are not the right words,” said poor Alice, and her eyes
|
|
filled with tears again as she went on, “I must be Mabel after all, and
|
|
I shall have to go and live in that poky little house, and have next to
|
|
no toys to play with, and oh! ever so many lessons to learn! No, I’ve
|
|
made up my mind about it; if I’m Mabel, I’ll stay down here! It’ll be
|
|
no use their putting their heads down and saying ‘Come up again, dear!’
|
|
I shall only look up and say ‘Who am I then? Tell me that first, and
|
|
then, if I like being that person, I’ll come up: if not, I’ll stay down
|
|
here till I’m somebody else’—but, oh dear!” cried Alice, with a sudden
|
|
burst of tears, “I do wish they would put their heads down! I am so
|
|
very tired of being all alone here!”
|
|
|
|
As she said this she looked down at her hands, and was surprised to see
|
|
that she had put on one of the Rabbit’s little white kid gloves while
|
|
she was talking. “How can I have done that?” she thought. “I must be
|
|
growing small again.” She got up and went to the table to measure
|
|
herself by it, and found that, as nearly as she could guess, she was
|
|
now about two feet high, and was going on shrinking rapidly: she soon
|
|
found out that the cause of this was the fan she was holding, and she
|
|
dropped it hastily, just in time to avoid shrinking away altogether.
|
|
|
|
“That was a narrow escape!” said Alice, a good deal frightened at the
|
|
sudden change, but very glad to find herself still in existence; “and
|
|
now for the garden!” and she ran with all speed back to the little
|
|
door: but, alas! the little door was shut again, and the little golden
|
|
key was lying on the glass table as before, “and things are worse than
|
|
ever,” thought the poor child, “for I never was so small as this
|
|
before, never! And I declare it’s too bad, that it is!”
|
|
|
|
As she said these words her foot slipped, and in another moment,
|
|
splash! she was up to her chin in salt water. Her first idea was that
|
|
she had somehow fallen into the sea, “and in that case I can go back by
|
|
railway,” she said to herself. (Alice had been to the seaside once in
|
|
her life, and had come to the general conclusion, that wherever you go
|
|
to on the English coast you find a number of bathing machines in the
|
|
sea, some children digging in the sand with wooden spades, then a row
|
|
of lodging houses, and behind them a railway station.) However, she
|
|
soon made out that she was in the pool of tears which she had wept when
|
|
she was nine feet high.
|
|
|
|
“I wish I hadn’t cried so much!” said Alice, as she swam about, trying
|
|
to find her way out. “I shall be punished for it now, I suppose, by
|
|
being drowned in my own tears! That will be a queer thing, to be
|
|
sure! However, everything is queer to-day.”
|
|
|
|
Just then she heard something splashing about in the pool a little way
|
|
off, and she swam nearer to make out what it was: at first she thought
|
|
it must be a walrus or hippopotamus, but then she remembered how small
|
|
she was now, and she soon made out that it was only a mouse that had
|
|
slipped in like herself.
|
|
|
|
“Would it be of any use, now,” thought Alice, “to speak to this mouse?
|
|
Everything is so out-of-the-way down here, that I should think very
|
|
likely it can talk: at any rate, there’s no harm in trying.” So she
|
|
began: “O Mouse, do you know the way out of this pool? I am very tired
|
|
of swimming about here, O Mouse!” (Alice thought this must be the right
|
|
way of speaking to a mouse: she had never done such a thing before, but
|
|
she remembered having seen in her brother’s Latin Grammar, “A mouse—of
|
|
a mouse—to a mouse—a mouse—O mouse!”) The Mouse looked at her rather
|
|
inquisitively, and seemed to her to wink with one of its little eyes,
|
|
but it said nothing.
|
|
|
|
“Perhaps it doesn’t understand English,” thought Alice; “I daresay it’s
|
|
a French mouse, come over with William the Conqueror.” (For, with all
|
|
her knowledge of history, Alice had no very clear notion how long ago
|
|
anything had happened.) So she began again: “Où est ma chatte?” which
|
|
was the first sentence in her French lesson-book. The Mouse gave a
|
|
sudden leap out of the water, and seemed to quiver all over with
|
|
fright. “Oh, I beg your pardon!” cried Alice hastily, afraid that she
|
|
had hurt the poor animal’s feelings. “I quite forgot you didn’t like
|
|
cats.”
|
|
|
|
“Not like cats!” cried the Mouse, in a shrill, passionate voice. “Would
|
|
you like cats if you were me?”
|
|
|
|
“Well, perhaps not,” said Alice in a soothing tone: “don’t be angry
|
|
about it. And yet I wish I could show you our cat Dinah: I think you’d
|
|
take a fancy to cats if you could only see her. She is such a dear
|
|
quiet thing,” Alice went on, half to herself, as she swam lazily about
|
|
in the pool, “and she sits purring so nicely by the fire, licking her
|
|
paws and washing her face—and she is such a nice soft thing to
|
|
nurse—and she’s such a capital one for catching mice—oh, I beg your
|
|
pardon!” cried Alice again, for this time the Mouse was bristling all
|
|
over, and she felt certain it must be really offended. “We won’t talk
|
|
about her any more if you’d rather not.”
|
|
|
|
“We indeed!” cried the Mouse, who was trembling down to the end of his
|
|
tail. “As if I would talk on such a subject! Our family always
|
|
hated cats: nasty, low, vulgar things! Don’t let me hear the name
|
|
again!”
|
|
|
|
“I won’t indeed!” said Alice, in a great hurry to change the subject of
|
|
conversation. “Are you—are you fond—of—of dogs?” The Mouse did not
|
|
answer, so Alice went on eagerly: “There is such a nice little dog near
|
|
our house I should like to show you! A little bright-eyed terrier, you
|
|
know, with oh, such long curly brown hair! And it’ll fetch things when
|
|
you throw them, and it’ll sit up and beg for its dinner, and all sorts
|
|
of things—I can’t remember half of them—and it belongs to a farmer, you
|
|
know, and he says it’s so useful, it’s worth a hundred pounds! He says
|
|
it kills all the rats and—oh dear!” cried Alice in a sorrowful tone,
|
|
“I’m afraid I’ve offended it again!” For the Mouse was swimming away
|
|
from her as hard as it could go, and making quite a commotion in the
|
|
pool as it went.
|
|
|
|
So she called softly after it, “Mouse dear! Do come back again, and we
|
|
won’t talk about cats or dogs either, if you don’t like them!” When the
|
|
Mouse heard this, it turned round and swam slowly back to her: its face
|
|
was quite pale (with passion, Alice thought), and it said in a low
|
|
trembling voice, “Let us get to the shore, and then I’ll tell you my
|
|
history, and you’ll understand why it is I hate cats and dogs.”
|
|
|
|
It was high time to go, for the pool was getting quite crowded with the
|
|
birds and animals that had fallen into it: there were a Duck and a
|
|
Dodo, a Lory and an Eaglet, and several other curious creatures. Alice
|
|
led the way, and the whole party swam to the shore.
|
|
|
|
|
|
|
|
|
|
A Caucus-Race and a Long Tale
|
|
|
|
|
|
They were indeed a queer-looking party that assembled on the bank—the
|
|
birds with draggled feathers, the animals with their fur clinging close
|
|
to them, and all dripping wet, cross, and uncomfortable.
|
|
|
|
The first question of course was, how to get dry again: they had a
|
|
consultation about this, and after a few minutes it seemed quite
|
|
natural to Alice to find herself talking familiarly with them, as if
|
|
she had known them all her life. Indeed, she had quite a long argument
|
|
with the Lory, who at last turned sulky, and would only say, “I am
|
|
older than you, and must know better;” and this Alice would not allow
|
|
without knowing how old it was, and, as the Lory positively refused to
|
|
tell its age, there was no more to be said.
|
|
|
|
At last the Mouse, who seemed to be a person of authority among them,
|
|
called out, “Sit down, all of you, and listen to me! I’ll soon make
|
|
you dry enough!” They all sat down at once, in a large ring, with the
|
|
Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she
|
|
felt sure she would catch a bad cold if she did not get dry very soon.
|
|
|
|
“Ahem!” said the Mouse with an important air, “are you all ready? This
|
|
is the driest thing I know. Silence all round, if you please! ‘William
|
|
the Conqueror, whose cause was favoured by the pope, was soon submitted
|
|
to by the English, who wanted leaders, and had been of late much
|
|
accustomed to usurpation and conquest. Edwin and Morcar, the earls of
|
|
Mercia and Northumbria—’”
|
|
|
|
“Ugh!” said the Lory, with a shiver.
|
|
|
|
“I beg your pardon!” said the Mouse, frowning, but very politely: “Did
|
|
you speak?”
|
|
|
|
“Not I!” said the Lory hastily.
|
|
|
|
“I thought you did,” said the Mouse. “—I proceed. ‘Edwin and Morcar,
|
|
the earls of Mercia and Northumbria, declared for him: and even
|
|
Stigand, the patriotic archbishop of Canterbury, found it advisable—’”
|
|
|
|
“Found what?” said the Duck.
|
|
|
|
“Found it,” the Mouse replied rather crossly: “of course you know
|
|
what ‘it’ means.”
|
|
|
|
“I know what ‘it’ means well enough, when I find a thing,” said the
|
|
Duck: “it’s generally a frog or a worm. The question is, what did the
|
|
archbishop find?”
|
|
|
|
The Mouse did not notice this question, but hurriedly went on, “‘—found
|
|
it advisable to go with Edgar Atheling to meet William and offer him
|
|
the crown. William’s conduct at first was moderate. But the insolence
|
|
of his Normans—’ How are you getting on now, my dear?” it continued,
|
|
turning to Alice as it spoke.
|
|
|
|
“As wet as ever,” said Alice in a melancholy tone: “it doesn’t seem to
|
|
dry me at all.”
|
|
|
|
“In that case,” said the Dodo solemnly, rising to its feet, “I move
|
|
that the meeting adjourn, for the immediate adoption of more energetic
|
|
remedies—”
|
|
|
|
“Speak English!” said the Eaglet. “I don’t know the meaning of half
|
|
those long words, and, what’s more, I don’t believe you do either!” And
|
|
the Eaglet bent down its head to hide a smile: some of the other birds
|
|
tittered audibly.
|
|
|
|
“What I was going to say,” said the Dodo in an offended tone, “was,
|
|
that the best thing to get us dry would be a Caucus-race.”
|
|
|
|
“What is a Caucus-race?” said Alice; not that she wanted much to
|
|
know, but the Dodo had paused as if it thought that somebody ought to
|
|
speak, and no one else seemed inclined to say anything.
|
|
|
|
“Why,” said the Dodo, “the best way to explain it is to do it.” (And,
|
|
as you might like to try the thing yourself, some winter day, I will
|
|
tell you how the Dodo managed it.)
|
|
|
|
First it marked out a race-course, in a sort of circle, (“the exact
|
|
shape doesn’t matter,” it said,) and then all the party were placed
|
|
along the course, here and there. There was no “One, two, three, and
|
|
away,” but they began running when they liked, and left off when they
|
|
liked, so that it was not easy to know when the race was over. However,
|
|
when they had been running half an hour or so, and were quite dry
|
|
again, the Dodo suddenly called out “The race is over!” and they all
|
|
crowded round it, panting, and asking, “But who has won?”
|
|
|
|
This question the Dodo could not answer without a great deal of
|
|
thought, and it sat for a long time with one finger pressed upon its
|
|
forehead (the position in which you usually see Shakespeare, in the
|
|
pictures of him), while the rest waited in silence. At last the Dodo
|
|
said, “Everybody has won, and all must have prizes.”
|
|
|
|
“But who is to give the prizes?” quite a chorus of voices asked.
|
|
|
|
“Why, she, of course,” said the Dodo, pointing to Alice with one
|
|
finger; and the whole party at once crowded round her, calling out in a
|
|
confused way, “Prizes! Prizes!”
|
|
|
|
Alice had no idea what to do, and in despair she put her hand in her
|
|
pocket, and pulled out a box of comfits, (luckily the salt water had
|
|
not got into it), and handed them round as prizes. There was exactly
|
|
one a-piece, all round.
|
|
|
|
“But she must have a prize herself, you know,” said the Mouse.
|
|
|
|
“Of course,” the Dodo replied very gravely. “What else have you got in
|
|
your pocket?” he went on, turning to Alice.
|
|
|
|
“Only a thimble,” said Alice sadly.
|
|
|
|
“Hand it over here,” said the Dodo.
|
|
|
|
Then they all crowded round her once more, while the Dodo solemnly
|
|
presented the thimble, saying “We beg your acceptance of this elegant
|
|
thimble;” and, when it had finished this short speech, they all
|
|
cheered.
|
|
|
|
Alice thought the whole thing very absurd, but they all looked so grave
|
|
that she did not dare to laugh; and, as she could not think of anything
|
|
to say, she simply bowed, and took the thimble, looking as solemn as
|
|
she could.
|
|
|
|
The next thing was to eat the comfits: this caused some noise and
|
|
confusion, as the large birds complained that they could not taste
|
|
theirs, and the small ones choked and had to be patted on the back.
|
|
However, it was over at last, and they sat down again in a ring, and
|
|
begged the Mouse to tell them something more.
|
|
|
|
“You promised to tell me your history, you know,” said Alice, “and why
|
|
it is you hate—C and D,” she added in a whisper, half afraid that it
|
|
would be offended again.
|
|
|
|
“Mine is a long and a sad tale!” said the Mouse, turning to Alice, and
|
|
sighing.
|
|
|
|
“It is a long tail, certainly,” said Alice, looking down with wonder
|
|
at the Mouse’s tail; “but why do you call it sad?” And she kept on
|
|
puzzling about it while the Mouse was speaking, so that her idea of the
|
|
tale was something like this:—
|
|
|
|
“Fury said to a mouse, That he met in the house, ‘Let us both
|
|
go to law: I will prosecute you.—Come, I’ll take no
|
|
denial; We must have a trial: For really this morning I’ve
|
|
nothing to do.’ Said the mouse to the cur, ‘Such a trial, dear
|
|
sir, With no jury or judge, would be wasting our breath.’
|
|
‘I’ll be judge, I’ll be jury,’ Said cunning old Fury: ‘I’ll
|
|
try the whole cause, and condemn you to death.’”
|
|
|
|
“You are not attending!” said the Mouse to Alice severely. “What are
|
|
you thinking of?”
|
|
|
|
“I beg your pardon,” said Alice very humbly: “you had got to the fifth
|
|
bend, I think?”
|
|
|
|
“I had not!” cried the Mouse, sharply and very angrily.
|
|
|
|
“A knot!” said Alice, always ready to make herself useful, and looking
|
|
anxiously about her. “Oh, do let me help to undo it!”
|
|
|
|
“I shall do nothing of the sort,” said the Mouse, getting up and
|
|
walking away. “You insult me by talking such nonsense!”
|
|
|
|
“I didn’t mean it!” pleaded poor Alice. “But you’re so easily offended,
|
|
you know!”
|
|
|
|
The Mouse only growled in reply.
|
|
|
|
“Please come back and finish your story!” Alice called after it; and
|
|
the others all joined in chorus, “Yes, please do!” but the Mouse only
|
|
shook its head impatiently, and walked a little quicker.
|
|
|
|
“What a pity it wouldn’t stay!” sighed the Lory, as soon as it was
|
|
quite out of sight; and an old Crab took the opportunity of saying to
|
|
her daughter “Ah, my dear! Let this be a lesson to you never to lose
|
|
your temper!” “Hold your tongue, Ma!” said the young Crab, a little
|
|
snappishly. “You’re enough to try the patience of an oyster!”
|
|
|
|
“I wish I had our Dinah here, I know I do!” said Alice aloud,
|
|
addressing nobody in particular. “She’d soon fetch it back!”
|
|
|
|
“And who is Dinah, if I might venture to ask the question?” said the
|
|
Lory.
|
|
|
|
Alice replied eagerly, for she was always ready to talk about her pet:
|
|
“Dinah’s our cat. And she’s such a capital one for catching mice you
|
|
can’t think! And oh, I wish you could see her after the birds! Why,
|
|
she’ll eat a little bird as soon as look at it!”
|
|
|
|
This speech caused a remarkable sensation among the party. Some of the
|
|
birds hurried off at once: one old Magpie began wrapping itself up very
|
|
carefully, remarking, “I really must be getting home; the night-air
|
|
doesn’t suit my throat!” and a Canary called out in a trembling voice
|
|
to its children, “Come away, my dears! It’s high time you were all in
|
|
bed!” On various pretexts they all moved off, and Alice was soon left
|
|
alone.
|
|
|
|
“I wish I hadn’t mentioned Dinah!” she said to herself in a melancholy
|
|
tone. “Nobody seems to like her, down here, and I’m sure she’s the best
|
|
cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you
|
|
any more!” And here poor Alice began to cry again, for she felt very
|
|
lonely and low-spirited. In a little while, however, she again heard a
|
|
little pattering of footsteps in the distance, and she looked up
|
|
eagerly, half hoping that the Mouse had changed his mind, and was
|
|
coming back to finish his story.
|
|
|
|
|
|
|
|
|
|
The Rabbit Sends in a Little Bill
|
|
|
|
|
|
It was the White Rabbit, trotting slowly back again, and looking
|
|
anxiously about as it went, as if it had lost something; and she heard
|
|
it muttering to itself “The Duchess! The Duchess! Oh my dear paws! Oh
|
|
my fur and whiskers! She’ll get me executed, as sure as ferrets are
|
|
ferrets! Where can I have dropped them, I wonder?” Alice guessed in a
|
|
moment that it was looking for the fan and the pair of white kid
|
|
gloves, and she very good-naturedly began hunting about for them, but
|
|
they were nowhere to be seen—everything seemed to have changed since
|
|
her swim in the pool, and the great hall, with the glass table and the
|
|
little door, had vanished completely.
|
|
|
|
Very soon the Rabbit noticed Alice, as she went hunting about, and
|
|
called out to her in an angry tone, “Why, Mary Ann, what are you
|
|
doing out here? Run home this moment, and fetch me a pair of gloves and
|
|
a fan! Quick, now!” And Alice was so much frightened that she ran off
|
|
at once in the direction it pointed to, without trying to explain the
|
|
mistake it had made.
|
|
|
|
“He took me for his housemaid,” she said to herself as she ran. “How
|
|
surprised he’ll be when he finds out who I am! But I’d better take him
|
|
his fan and gloves—that is, if I can find them.” As she said this, she
|
|
came upon a neat little house, on the door of which was a bright brass
|
|
plate with the name “W. RABBIT,” engraved upon it. She went in without
|
|
knocking, and hurried upstairs, in great fear lest she should meet the
|
|
real Mary Ann, and be turned out of the house before she had found the
|
|
fan and gloves.
|
|
|
|
“How queer it seems,” Alice said to herself, “to be going messages for
|
|
a rabbit! I suppose Dinah’ll be sending me on messages next!” And she
|
|
began fancying the sort of thing that would happen: “‘Miss Alice! Come
|
|
here directly, and get ready for your walk!’ ‘Coming in a minute,
|
|
nurse! But I’ve got to see that the mouse doesn’t get out.’ Only I
|
|
don’t think,” Alice went on, “that they’d let Dinah stop in the house
|
|
if it began ordering people about like that!”
|
|
|
|
By this time she had found her way into a tidy little room with a table
|
|
in the window, and on it (as she had hoped) a fan and two or three
|
|
pairs of tiny white kid gloves: she took up the fan and a pair of the
|
|
gloves, and was just going to leave the room, when her eye fell upon a
|
|
little bottle that stood near the looking-glass. There was no label
|
|
this time with the words “DRINK ME,” but nevertheless she uncorked it
|
|
and put it to her lips. “I know something interesting is sure to
|
|
happen,” she said to herself, “whenever I eat or drink anything; so
|
|
I’ll just see what this bottle does. I do hope it’ll make me grow large
|
|
again, for really I’m quite tired of being such a tiny little thing!”
|
|
|
|
It did so indeed, and much sooner than she had expected: before she had
|
|
drunk half the bottle, she found her head pressing against the ceiling,
|
|
and had to stoop to save her neck from being broken. She hastily put
|
|
down the bottle, saying to herself “That’s quite enough—I hope I shan’t
|
|
grow any more—As it is, I can’t get out at the door—I do wish I hadn’t
|
|
drunk quite so much!”
|
|
|
|
Alas! it was too late to wish that! She went on growing, and growing,
|
|
and very soon had to kneel down on the floor: in another minute there
|
|
was not even room for this, and she tried the effect of lying down with
|
|
one elbow against the door, and the other arm curled round her head.
|
|
Still she went on growing, and, as a last resource, she put one arm out
|
|
of the window, and one foot up the chimney, and said to herself “Now I
|
|
can do no more, whatever happens. What will become of me?”
|
|
|
|
Luckily for Alice, the little magic bottle had now had its full effect,
|
|
and she grew no larger: still it was very uncomfortable, and, as there
|
|
seemed to be no sort of chance of her ever getting out of the room
|
|
again, no wonder she felt unhappy.
|
|
|
|
“It was much pleasanter at home,” thought poor Alice, “when one wasn’t
|
|
always growing larger and smaller, and being ordered about by mice and
|
|
rabbits. I almost wish I hadn’t gone down that rabbit-hole—and yet—and
|
|
yet—it’s rather curious, you know, this sort of life! I do wonder what
|
|
can have happened to me! When I used to read fairy-tales, I fancied
|
|
that kind of thing never happened, and now here I am in the middle of
|
|
one! There ought to be a book written about me, that there ought! And
|
|
when I grow up, I’ll write one—but I’m grown up now,” she added in a
|
|
sorrowful tone; “at least there’s no room to grow up any more here.”
|
|
|
|
“But then,” thought Alice, “shall I never get any older than I am
|
|
now? That’ll be a comfort, one way—never to be an old woman—but
|
|
then—always to have lessons to learn! Oh, I shouldn’t like that!”
|
|
|
|
“Oh, you foolish Alice!” she answered herself. “How can you learn
|
|
lessons in here? Why, there’s hardly room for you, and no room at all
|
|
for any lesson-books!”
|
|
|
|
And so she went on, taking first one side and then the other, and
|
|
making quite a conversation of it altogether; but after a few minutes
|
|
she heard a voice outside, and stopped to listen.
|
|
|
|
“Mary Ann! Mary Ann!” said the voice. “Fetch me my gloves this moment!”
|
|
Then came a little pattering of feet on the stairs. Alice knew it was
|
|
the Rabbit coming to look for her, and she trembled till she shook the
|
|
house, quite forgetting that she was now about a thousand times as
|
|
large as the Rabbit, and had no reason to be afraid of it.
|
|
|
|
Presently the Rabbit came up to the door, and tried to open it; but, as
|
|
the door opened inwards, and Alice’s elbow was pressed hard against it,
|
|
that attempt proved a failure. Alice heard it say to itself “Then I’ll
|
|
go round and get in at the window.”
|
|
|
|
“That you won’t!” thought Alice, and, after waiting till she fancied
|
|
she heard the Rabbit just under the window, she suddenly spread out her
|
|
hand, and made a snatch in the air. She did not get hold of anything,
|
|
but she heard a little shriek and a fall, and a crash of broken glass,
|
|
from which she concluded that it was just possible it had fallen into a
|
|
cucumber-frame, or something of the sort.
|
|
|
|
Next came an angry voice—the Rabbit’s—“Pat! Pat! Where are you?” And
|
|
then a voice she had never heard before, “Sure then I’m here! Digging
|
|
for apples, yer honour!”
|
|
|
|
“Digging for apples, indeed!” said the Rabbit angrily. “Here! Come and
|
|
help me out of this!” (Sounds of more broken glass.)
|
|
|
|
“Now tell me, Pat, what’s that in the window?”
|
|
|
|
“Sure, it’s an arm, yer honour!” (He pronounced it “arrum.”)
|
|
|
|
“An arm, you goose! Who ever saw one that size? Why, it fills the whole
|
|
window!”
|
|
|
|
“Sure, it does, yer honour: but it’s an arm for all that.”
|
|
|
|
“Well, it’s got no business there, at any rate: go and take it away!”
|
|
|
|
There was a long silence after this, and Alice could only hear whispers
|
|
now and then; such as, “Sure, I don’t like it, yer honour, at all, at
|
|
all!” “Do as I tell you, you coward!” and at last she spread out her
|
|
hand again, and made another snatch in the air. This time there were
|
|
two little shrieks, and more sounds of broken glass. “What a number
|
|
of cucumber-frames there must be!” thought Alice. “I wonder what
|
|
they’ll do next! As for pulling me out of the window, I only wish they
|
|
could! I’m sure I don’t want to stay in here any longer!”
|
|
|
|
She waited for some time without hearing anything more: at last came a
|
|
rumbling of little cartwheels, and the sound of a good many voices all
|
|
talking together: she made out the words: “Where’s the other
|
|
ladder?—Why, I hadn’t to bring but one; Bill’s got the other—Bill!
|
|
fetch it here, lad!—Here, put ’em up at this corner—No, tie ’em
|
|
together first—they don’t reach half high enough yet—Oh! they’ll do
|
|
well enough; don’t be particular—Here, Bill! catch hold of this
|
|
rope—Will the roof bear?—Mind that loose slate—Oh, it’s coming down!
|
|
Heads below!” (a loud crash)—“Now, who did that?—It was Bill, I
|
|
fancy—Who’s to go down the chimney?—Nay, I shan’t! You do
|
|
it!—That I won’t, then!—Bill’s to go down—Here, Bill! the master says
|
|
you’re to go down the chimney!”
|
|
|
|
“Oh! So Bill’s got to come down the chimney, has he?” said Alice to
|
|
herself. “Shy, they seem to put everything upon Bill! I wouldn’t be in
|
|
Bill’s place for a good deal: this fireplace is narrow, to be sure; but
|
|
I think I can kick a little!”
|
|
|
|
She drew her foot as far down the chimney as she could, and waited till
|
|
she heard a little animal (she couldn’t guess of what sort it was)
|
|
scratching and scrambling about in the chimney close above her: then,
|
|
saying to herself “This is Bill,” she gave one sharp kick, and waited
|
|
to see what would happen next.
|
|
|
|
The first thing she heard was a general chorus of “There goes Bill!”
|
|
then the Rabbit’s voice along—“Catch him, you by the hedge!” then
|
|
silence, and then another confusion of voices—“Hold up his head—Brandy
|
|
now—Don’t choke him—How was it, old fellow? What happened to you? Tell
|
|
us all about it!”
|
|
|
|
Last came a little feeble, squeaking voice, (“That’s Bill,” thought
|
|
Alice,) “Well, I hardly know—No more, thank ye; I’m better now—but I’m
|
|
a deal too flustered to tell you—all I know is, something comes at me
|
|
like a Jack-in-the-box, and up I goes like a sky-rocket!”
|
|
|
|
“So you did, old fellow!” said the others.
|
|
|
|
“We must burn the house down!” said the Rabbit’s voice; and Alice
|
|
called out as loud as she could, “If you do, I’ll set Dinah at you!”
|
|
|
|
There was a dead silence instantly, and Alice thought to herself, “I
|
|
wonder what they will do next! If they had any sense, they’d take the
|
|
roof off.” After a minute or two, they began moving about again, and
|
|
Alice heard the Rabbit say, “A barrowful will do, to begin with.”
|
|
|
|
“A barrowful of what?” thought Alice; but she had not long to doubt,
|
|
for the next moment a shower of little pebbles came rattling in at the
|
|
window, and some of them hit her in the face. “I’ll put a stop to
|
|
this,” she said to herself, and shouted out, “You’d better not do that
|
|
again!” which produced another dead silence.
|
|
|
|
Alice noticed with some surprise that the pebbles were all turning into
|
|
little cakes as they lay on the floor, and a bright idea came into her
|
|
head. “If I eat one of these cakes,” she thought, “it’s sure to make
|
|
some change in my size; and as it can’t possibly make me larger, it
|
|
must make me smaller, I suppose.”
|
|
|
|
So she swallowed one of the cakes, and was delighted to find that she
|
|
began shrinking directly. As soon as she was small enough to get
|
|
through the door, she ran out of the house, and found quite a crowd of
|
|
little animals and birds waiting outside. The poor little Lizard, Bill,
|
|
was in the middle, being held up by two guinea-pigs, who were giving it
|
|
something out of a bottle. They all made a rush at Alice the moment she
|
|
appeared; but she ran off as hard as she could, and soon found herself
|
|
safe in a thick wood.
|
|
|
|
“The first thing I’ve got to do,” said Alice to herself, as she
|
|
wandered about in the wood, “is to grow to my right size again; and the
|
|
second thing is to find my way into that lovely garden. I think that
|
|
will be the best plan.”
|
|
|
|
It sounded an excellent plan, no doubt, and very neatly and simply
|
|
arranged; the only difficulty was, that she had not the smallest idea
|
|
how to set about it; and while she was peering about anxiously among
|
|
the trees, a little sharp bark just over her head made her look up in a
|
|
great hurry.
|
|
|
|
An enormous puppy was looking down at her with large round eyes, and
|
|
feebly stretching out one paw, trying to touch her. “Poor little
|
|
thing!” said Alice, in a coaxing tone, and she tried hard to whistle to
|
|
it; but she was terribly frightened all the time at the thought that it
|
|
might be hungry, in which case it would be very likely to eat her up in
|
|
spite of all her coaxing.
|
|
|
|
Hardly knowing what she did, she picked up a little bit of stick, and
|
|
held it out to the puppy; whereupon the puppy jumped into the air off
|
|
all its feet at once, with a yelp of delight, and rushed at the stick,
|
|
and made believe to worry it; then Alice dodged behind a great thistle,
|
|
to keep herself from being run over; and the moment she appeared on the
|
|
other side, the puppy made another rush at the stick, and tumbled head
|
|
over heels in its hurry to get hold of it; then Alice, thinking it was
|
|
very like having a game of play with a cart-horse, and expecting every
|
|
moment to be trampled under its feet, ran round the thistle again; then
|
|
the puppy began a series of short charges at the stick, running a very
|
|
little way forwards each time and a long way back, and barking hoarsely
|
|
all the while, till at last it sat down a good way off, panting, with
|
|
its tongue hanging out of its mouth, and its great eyes half shut.
|
|
|
|
This seemed to Alice a good opportunity for making her escape; so she
|
|
set off at once, and ran till she was quite tired and out of breath,
|
|
and till the puppy’s bark sounded quite faint in the distance.
|
|
|
|
“And yet what a dear little puppy it was!” said Alice, as she leant
|
|
against a buttercup to rest herself, and fanned herself with one of the
|
|
leaves: “I should have liked teaching it tricks very much, if—if I’d
|
|
only been the right size to do it! Oh dear! I’d nearly forgotten that
|
|
I’ve got to grow up again! Let me see—how is it to be managed? I
|
|
suppose I ought to eat or drink something or other; but the great
|
|
question is, what?”
|
|
|
|
The great question certainly was, what? Alice looked all round her at
|
|
the flowers and the blades of grass, but she did not see anything that
|
|
looked like the right thing to eat or drink under the circumstances.
|
|
There was a large mushroom growing near her, about the same height as
|
|
herself; and when she had looked under it, and on both sides of it, and
|
|
behind it, it occurred to her that she might as well look and see what
|
|
was on the top of it.
|
|
|
|
She stretched herself up on tiptoe, and peeped over the edge of the
|
|
mushroom, and her eyes immediately met those of a large blue
|
|
caterpillar, that was sitting on the top with its arms folded, quietly
|
|
smoking a long hookah, and taking not the smallest notice of her or of
|
|
anything else.
|
|
|
|
|
|
|
|
|
|
Advice from a Caterpillar
|
|
|
|
|
|
The Caterpillar and Alice looked at each other for some time in
|
|
silence: at last the Caterpillar took the hookah out of its mouth, and
|
|
addressed her in a languid, sleepy voice.
|
|
|
|
“Who are you?” said the Caterpillar.
|
|
|
|
This was not an encouraging opening for a conversation. Alice replied,
|
|
rather shyly, “I—I hardly know, sir, just at present—at least I know
|
|
who I was when I got up this morning, but I think I must have been
|
|
changed several times since then.”
|
|
|
|
“What do you mean by that?” said the Caterpillar sternly. “Explain
|
|
yourself!”
|
|
|
|
“I can’t explain myself, I’m afraid, sir,” said Alice, “because I’m
|
|
not myself, you see.”
|
|
|
|
“I don’t see,” said the Caterpillar.
|
|
|
|
“I’m afraid I can’t put it more clearly,” Alice replied very politely,
|
|
“for I can’t understand it myself to begin with; and being so many
|
|
different sizes in a day is very confusing.”
|
|
|
|
“It isn’t,” said the Caterpillar.
|
|
|
|
“Well, perhaps you haven’t found it so yet,” said Alice; “but when you
|
|
have to turn into a chrysalis—you will some day, you know—and then
|
|
after that into a butterfly, I should think you’ll feel it a little
|
|
queer, won’t you?”
|
|
|
|
“Not a bit,” said the Caterpillar.
|
|
|
|
“Well, perhaps your feelings may be different,” said Alice; “all I know
|
|
is, it would feel very queer to me.”
|
|
|
|
“You!” said the Caterpillar contemptuously. “Who are you?”
|
|
|
|
Which brought them back again to the beginning of the conversation.
|
|
Alice felt a little irritated at the Caterpillar’s making such very
|
|
short remarks, and she drew herself up and said, very gravely, “I
|
|
think, you ought to tell me who you are, first.”
|
|
|
|
“Why?” said the Caterpillar.
|
|
|
|
Here was another puzzling question; and as Alice could not think of any
|
|
good reason, and as the Caterpillar seemed to be in a very unpleasant
|
|
state of mind, she turned away.
|
|
|
|
“Come back!” the Caterpillar called after her. “I’ve something
|
|
important to say!”
|
|
|
|
This sounded promising, certainly: Alice turned and came back again.
|
|
|
|
“Keep your temper,” said the Caterpillar.
|
|
|
|
“Is that all?” said Alice, swallowing down her anger as well as she
|
|
could.
|
|
|
|
“No,” said the Caterpillar.
|
|
|
|
Alice thought she might as well wait, as she had nothing else to do,
|
|
and perhaps after all it might tell her something worth hearing. For
|
|
some minutes it puffed away without speaking, but at last it unfolded
|
|
its arms, took the hookah out of its mouth again, and said, “So you
|
|
think you’re changed, do you?”
|
|
|
|
“I’m afraid I am, sir,” said Alice; “I can’t remember things as I
|
|
used—and I don’t keep the same size for ten minutes together!”
|
|
|
|
“Can’t remember what things?” said the Caterpillar.
|
|
|
|
“Well, I’ve tried to say “How doth the little busy bee,” but it all
|
|
came different!” Alice replied in a very melancholy voice.
|
|
|
|
“Repeat, “You are old, Father William,’” said the Caterpillar.
|
|
|
|
Alice folded her hands, and began:—
|
|
|
|
“You are old, Father William,” the young man said,
|
|
“And your hair has become very white;
|
|
And yet you incessantly stand on your head—
|
|
Do you think, at your age, it is right?”
|
|
|
|
“In my youth,” Father William replied to his son,
|
|
“I feared it might injure the brain;
|
|
But, now that I’m perfectly sure I have none,
|
|
Why, I do it again and again.”
|
|
|
|
“You are old,” said the youth, “as I mentioned before,
|
|
And have grown most uncommonly fat;
|
|
Yet you turned a back-somersault in at the door—
|
|
Pray, what is the reason of that?”
|
|
|
|
“In my youth,” said the sage, as he shook his grey locks,
|
|
“I kept all my limbs very supple
|
|
By the use of this ointment—one shilling the box—
|
|
Allow me to sell you a couple?”
|
|
|
|
“You are old,” said the youth, “and your jaws are too weak
|
|
For anything tougher than suet;
|
|
Yet you finished the goose, with the bones and the beak—
|
|
Pray, how did you manage to do it?”
|
|
|
|
“In my youth,” said his father, “I took to the law,
|
|
And argued each case with my wife;
|
|
And the muscular strength, which it gave to my jaw,
|
|
Has lasted the rest of my life.”
|
|
|
|
“You are old,” said the youth, “one would hardly suppose
|
|
That your eye was as steady as ever;
|
|
Yet you balanced an eel on the end of your nose—
|
|
What made you so awfully clever?”
|
|
|
|
“I have answered three questions, and that is enough,”
|
|
Said his father; “don’t give yourself airs!
|
|
Do you think I can listen all day to such stuff?
|
|
Be off, or I’ll kick you down stairs!”
|
|
|
|
|
|
“That is not said right,” said the Caterpillar.
|
|
|
|
“Not quite right, I’m afraid,” said Alice, timidly; “some of the
|
|
words have got altered.”
|
|
|
|
“It is wrong from beginning to end,” said the Caterpillar decidedly,
|
|
and there was silence for some minutes.
|
|
|
|
The Caterpillar was the first to speak.
|
|
|
|
“What size do you want to be?” it asked.
|
|
|
|
“Oh, I’m not particular as to size,” Alice hastily replied; “only one
|
|
doesn’t like changing so often, you know.”
|
|
|
|
“I don’t know,” said the Caterpillar.
|
|
|
|
Alice said nothing: she had never been so much contradicted in her life
|
|
before, and she felt that she was losing her temper.
|
|
|
|
“Are you content now?” said the Caterpillar.
|
|
|
|
“Well, I should like to be a little larger, sir, if you wouldn’t
|
|
mind,” said Alice: “three inches is such a wretched height to be.”
|
|
|
|
“It is a very good height indeed!” said the Caterpillar angrily,
|
|
rearing itself upright as it spoke (it was exactly three inches high).
|
|
|
|
“But I’m not used to it!” pleaded poor Alice in a piteous tone. And she
|
|
thought of herself, “I wish the creatures wouldn’t be so easily
|
|
offended!”
|
|
|
|
“You’ll get used to it in time,” said the Caterpillar; and it put the
|
|
hookah into its mouth and began smoking again.
|
|
|
|
This time Alice waited patiently until it chose to speak again. In a
|
|
minute or two the Caterpillar took the hookah out of its mouth and
|
|
yawned once or twice, and shook itself. Then it got down off the
|
|
mushroom, and crawled away in the grass, merely remarking as it went,
|
|
“One side will make you grow taller, and the other side will make you
|
|
grow shorter.”
|
|
|
|
“One side of what? The other side of what?” thought Alice to
|
|
herself.
|
|
|
|
“Of the mushroom,” said the Caterpillar, just as if she had asked it
|
|
aloud; and in another moment it was out of sight.
|
|
|
|
Alice remained looking thoughtfully at the mushroom for a minute,
|
|
trying to make out which were the two sides of it; and as it was
|
|
perfectly round, she found this a very difficult question. However, at
|
|
last she stretched her arms round it as far as they would go, and broke
|
|
off a bit of the edge with each hand.
|
|
|
|
“And now which is which?” she said to herself, and nibbled a little of
|
|
the right-hand bit to try the effect: the next moment she felt a
|
|
violent blow underneath her chin: it had struck her foot!
|
|
|
|
She was a good deal frightened by this very sudden change, but she felt
|
|
that there was no time to be lost, as she was shrinking rapidly; so she
|
|
set to work at once to eat some of the other bit. Her chin was pressed
|
|
so closely against her foot, that there was hardly room to open her
|
|
mouth; but she did it at last, and managed to swallow a morsel of the
|
|
lefthand bit.
|
|
|
|
* * * * * * *
|
|
|
|
* * * * * *
|
|
|
|
* * * * * * *
|
|
|
|
|
|
“Come, my head’s free at last!” said Alice in a tone of delight, which
|
|
changed into alarm in another moment, when she found that her shoulders
|
|
were nowhere to be found: all she could see, when she looked down, was
|
|
an immense length of neck, which seemed to rise like a stalk out of a
|
|
sea of green leaves that lay far below her.
|
|
|
|
“What can all that green stuff be?” said Alice. “And where have my
|
|
shoulders got to? And oh, my poor hands, how is it I can’t see you?”
|
|
She was moving them about as she spoke, but no result seemed to follow,
|
|
except a little shaking among the distant green leaves.
|
|
|
|
As there seemed to be no chance of getting her hands up to her head,
|
|
she tried to get her head down to them, and was delighted to find that
|
|
her neck would bend about easily in any direction, like a serpent. She
|
|
had just succeeded in curving it down into a graceful zigzag, and was
|
|
going to dive in among the leaves, which she found to be nothing but
|
|
the tops of the trees under which she had been wandering, when a sharp
|
|
hiss made her draw back in a hurry: a large pigeon had flown into her
|
|
face, and was beating her violently with its wings.
|
|
|
|
“Serpent!” screamed the Pigeon.
|
|
|
|
“I’m not a serpent!” said Alice indignantly. “Let me alone!”
|
|
|
|
“Serpent, I say again!” repeated the Pigeon, but in a more subdued
|
|
tone, and added with a kind of sob, “I’ve tried every way, and nothing
|
|
seems to suit them!”
|
|
|
|
“I haven’t the least idea what you’re talking about,” said Alice.
|
|
|
|
“I’ve tried the roots of trees, and I’ve tried banks, and I’ve tried
|
|
hedges,” the Pigeon went on, without attending to her; “but those
|
|
serpents! There’s no pleasing them!”
|
|
|
|
Alice was more and more puzzled, but she thought there was no use in
|
|
saying anything more till the Pigeon had finished.
|
|
|
|
“As if it wasn’t trouble enough hatching the eggs,” said the Pigeon;
|
|
“but I must be on the look-out for serpents night and day! Why, I
|
|
haven’t had a wink of sleep these three weeks!”
|
|
|
|
“I’m very sorry you’ve been annoyed,” said Alice, who was beginning to
|
|
see its meaning.
|
|
|
|
“And just as I’d taken the highest tree in the wood,” continued the
|
|
Pigeon, raising its voice to a shriek, “and just as I was thinking I
|
|
should be free of them at last, they must needs come wriggling down
|
|
from the sky! Ugh, Serpent!”
|
|
|
|
“But I’m not a serpent, I tell you!” said Alice. “I’m a—I’m a—”
|
|
|
|
“Well! What are you?” said the Pigeon. “I can see you’re trying to
|
|
invent something!”
|
|
|
|
“I—I’m a little girl,” said Alice, rather doubtfully, as she remembered
|
|
the number of changes she had gone through that day.
|
|
|
|
“A likely story indeed!” said the Pigeon in a tone of the deepest
|
|
contempt. “I’ve seen a good many little girls in my time, but never
|
|
one with such a neck as that! No, no! You’re a serpent; and there’s
|
|
no use denying it. I suppose you’ll be telling me next that you never
|
|
tasted an egg!”
|
|
|
|
“I have tasted eggs, certainly,” said Alice, who was a very truthful
|
|
child; “but little girls eat eggs quite as much as serpents do, you
|
|
know.”
|
|
|
|
“I don’t believe it,” said the Pigeon; “but if they do, why then
|
|
they’re a kind of serpent, that’s all I can say.”
|
|
|
|
This was such a new idea to Alice, that she was quite silent for a
|
|
minute or two, which gave the Pigeon the opportunity of adding, “You’re
|
|
looking for eggs, I know that well enough; and what does it matter to
|
|
me whether you’re a little girl or a serpent?”
|
|
|
|
“It matters a good deal to me,” said Alice hastily; “but I’m not
|
|
looking for eggs, as it happens; and if I was, I shouldn’t want
|
|
yours: I don’t like them raw.”
|
|
|
|
“Well, be off, then!” said the Pigeon in a sulky tone, as it settled
|
|
down again into its nest. Alice crouched down among the trees as well
|
|
as she could, for her neck kept getting entangled among the branches,
|
|
and every now and then she had to stop and untwist it. After a while
|
|
she remembered that she still held the pieces of mushroom in her hands,
|
|
and she set to work very carefully, nibbling first at one and then at
|
|
the other, and growing sometimes taller and sometimes shorter, until
|
|
she had succeeded in bringing herself down to her usual height.
|
|
|
|
It was so long since she had been anything near the right size, that it
|
|
felt quite strange at first; but she got used to it in a few minutes,
|
|
and began talking to herself, as usual. “Come, there’s half my plan
|
|
done now! How puzzling all these changes are! I’m never sure what I’m
|
|
going to be, from one minute to another! However, I’ve got back to my
|
|
right size: the next thing is, to get into that beautiful garden—how
|
|
is that to be done, I wonder?” As she said this, she came suddenly
|
|
upon an open place, with a little house in it about four feet high.
|
|
“Whoever lives there,” thought Alice, “it’ll never do to come upon them
|
|
this size: why, I should frighten them out of their wits!” So she
|
|
began nibbling at the righthand bit again, and did not venture to go
|
|
near the house till she had brought herself down to nine inches high.
|
|
|
|
|
|
|
|
|
|
Pig and Pepper
|
|
|
|
|
|
For a minute or two she stood looking at the house, and wondering what
|
|
to do next, when suddenly a footman in livery came running out of the
|
|
wood—(she considered him to be a footman because he was in livery:
|
|
otherwise, judging by his face only, she would have called him a
|
|
fish)—and rapped loudly at the door with his knuckles. It was opened by
|
|
another footman in livery, with a round face, and large eyes like a
|
|
frog; and both footmen, Alice noticed, had powdered hair that curled
|
|
all over their heads. She felt very curious to know what it was all
|
|
about, and crept a little way out of the wood to listen.
|
|
|
|
The Fish-Footman began by producing from under his arm a great letter,
|
|
nearly as large as himself, and this he handed over to the other,
|
|
saying, in a solemn tone, “For the Duchess. An invitation from the
|
|
Queen to play croquet.” The Frog-Footman repeated, in the same solemn
|
|
tone, only changing the order of the words a little, “From the Queen.
|
|
An invitation for the Duchess to play croquet.”
|
|
|
|
Then they both bowed low, and their curls got entangled together.
|
|
|
|
Alice laughed so much at this, that she had to run back into the wood
|
|
for fear of their hearing her; and when she next peeped out the
|
|
Fish-Footman was gone, and the other was sitting on the ground near the
|
|
door, staring stupidly up into the sky.
|
|
|
|
Alice went timidly up to the door, and knocked.
|
|
|
|
“There’s no sort of use in knocking,” said the Footman, “and that for
|
|
two reasons. First, because I’m on the same side of the door as you
|
|
are; secondly, because they’re making such a noise inside, no one could
|
|
possibly hear you.” And certainly there was a most extraordinary
|
|
noise going on within—a constant howling and sneezing, and every now
|
|
and then a great crash, as if a dish or kettle had been broken to
|
|
pieces.
|
|
|
|
“Please, then,” said Alice, “how am I to get in?”
|
|
|
|
“There might be some sense in your knocking,” the Footman went on
|
|
without attending to her, “if we had the door between us. For instance,
|
|
if you were inside, you might knock, and I could let you out, you
|
|
know.” He was looking up into the sky all the time he was speaking, and
|
|
this Alice thought decidedly uncivil. “But perhaps he can’t help it,”
|
|
she said to herself; “his eyes are so very nearly at the top of his
|
|
head. But at any rate he might answer questions.—How am I to get in?”
|
|
she repeated, aloud.
|
|
|
|
“I shall sit here,” the Footman remarked, “till tomorrow—”
|
|
|
|
At this moment the door of the house opened, and a large plate came
|
|
skimming out, straight at the Footman’s head: it just grazed his nose,
|
|
and broke to pieces against one of the trees behind him.
|
|
|
|
“—or next day, maybe,” the Footman continued in the same tone, exactly
|
|
as if nothing had happened.
|
|
|
|
“How am I to get in?” asked Alice again, in a louder tone.
|
|
|
|
“Are you to get in at all?” said the Footman. “That’s the first
|
|
question, you know.”
|
|
|
|
It was, no doubt: only Alice did not like to be told so. “It’s really
|
|
dreadful,” she muttered to herself, “the way all the creatures argue.
|
|
It’s enough to drive one crazy!”
|
|
|
|
The Footman seemed to think this a good opportunity for repeating his
|
|
remark, with variations. “I shall sit here,” he said, “on and off, for
|
|
days and days.”
|
|
|
|
“But what am I to do?” said Alice.
|
|
|
|
“Anything you like,” said the Footman, and began whistling.
|
|
|
|
“Oh, there’s no use in talking to him,” said Alice desperately: “he’s
|
|
perfectly idiotic!” And she opened the door and went in.
|
|
|
|
The door led right into a large kitchen, which was full of smoke from
|
|
one end to the other: the Duchess was sitting on a three-legged stool
|
|
in the middle, nursing a baby; the cook was leaning over the fire,
|
|
stirring a large cauldron which seemed to be full of soup.
|
|
|
|
“There’s certainly too much pepper in that soup!” Alice said to
|
|
herself, as well as she could for sneezing.
|
|
|
|
There was certainly too much of it in the air. Even the Duchess sneezed
|
|
occasionally; and as for the baby, it was sneezing and howling
|
|
alternately without a moment’s pause. The only things in the kitchen
|
|
that did not sneeze, were the cook, and a large cat which was sitting
|
|
on the hearth and grinning from ear to ear.
|
|
|
|
“Please would you tell me,” said Alice, a little timidly, for she was
|
|
not quite sure whether it was good manners for her to speak first, “why
|
|
your cat grins like that?”
|
|
|
|
“It’s a Cheshire cat,” said the Duchess, “and that’s why. Pig!”
|
|
|
|
She said the last word with such sudden violence that Alice quite
|
|
jumped; but she saw in another moment that it was addressed to the
|
|
baby, and not to her, so she took courage, and went on again:—
|
|
|
|
“I didn’t know that Cheshire cats always grinned; in fact, I didn’t
|
|
know that cats could grin.”
|
|
|
|
“They all can,” said the Duchess; “and most of ’em do.”
|
|
|
|
“I don’t know of any that do,” Alice said very politely, feeling quite
|
|
pleased to have got into a conversation.
|
|
|
|
“You don’t know much,” said the Duchess; “and that’s a fact.”
|
|
|
|
Alice did not at all like the tone of this remark, and thought it would
|
|
be as well to introduce some other subject of conversation. While she
|
|
was trying to fix on one, the cook took the cauldron of soup off the
|
|
fire, and at once set to work throwing everything within her reach at
|
|
the Duchess and the baby—the fire-irons came first; then followed a
|
|
shower of saucepans, plates, and dishes. The Duchess took no notice of
|
|
them even when they hit her; and the baby was howling so much already,
|
|
that it was quite impossible to say whether the blows hurt it or not.
|
|
|
|
“Oh, please mind what you’re doing!” cried Alice, jumping up and down
|
|
in an agony of terror. “Oh, there goes his precious nose!” as an
|
|
unusually large saucepan flew close by it, and very nearly carried it
|
|
off.
|
|
|
|
“If everybody minded their own business,” the Duchess said in a hoarse
|
|
growl, “the world would go round a deal faster than it does.”
|
|
|
|
“Which would not be an advantage,” said Alice, who felt very glad to
|
|
get an opportunity of showing off a little of her knowledge. “Just
|
|
think of what work it would make with the day and night! You see the
|
|
earth takes twenty-four hours to turn round on its axis—”
|
|
|
|
“Talking of axes,” said the Duchess, “chop off her head!”
|
|
|
|
Alice glanced rather anxiously at the cook, to see if she meant to take
|
|
the hint; but the cook was busily stirring the soup, and seemed not to
|
|
be listening, so she went on again: “Twenty-four hours, I think; or
|
|
is it twelve? I—”
|
|
|
|
“Oh, don’t bother me,” said the Duchess; “I never could abide
|
|
figures!” And with that she began nursing her child again, singing a
|
|
sort of lullaby to it as she did so, and giving it a violent shake at
|
|
the end of every line:
|
|
|
|
“Speak roughly to your little boy,
|
|
And beat him when he sneezes:
|
|
He only does it to annoy,
|
|
Because he knows it teases.”
|
|
|
|
|
|
(In which the cook and the baby joined):
|
|
|
|
|
|
“Wow! wow! wow!”
|
|
|
|
|
|
While the Duchess sang the second verse of the song, she kept tossing
|
|
the baby violently up and down, and the poor little thing howled so,
|
|
that Alice could hardly hear the words:—
|
|
|
|
“I speak severely to my boy,
|
|
I beat him when he sneezes;
|
|
For he can thoroughly enjoy
|
|
The pepper when he pleases!”
|
|
|
|
|
|
|
|
|
|
“Wow! wow! wow!”
|
|
|
|
|
|
“Here! you may nurse it a bit, if you like!” the Duchess said to Alice,
|
|
flinging the baby at her as she spoke. “I must go and get ready to play
|
|
croquet with the Queen,” and she hurried out of the room. The cook
|
|
threw a frying-pan after her as she went out, but it just missed her.
|
|
|
|
Alice caught the baby with some difficulty, as it was a queer-shaped
|
|
little creature, and held out its arms and legs in all directions,
|
|
“just like a star-fish,” thought Alice. The poor little thing was
|
|
snorting like a steam-engine when she caught it, and kept doubling
|
|
itself up and straightening itself out again, so that altogether, for
|
|
the first minute or two, it was as much as she could do to hold it.
|
|
|
|
As soon as she had made out the proper way of nursing it, (which was to
|
|
twist it up into a sort of knot, and then keep tight hold of its right
|
|
ear and left foot, so as to prevent its undoing itself,) she carried it
|
|
out into the open air. “If I don’t take this child away with me,”
|
|
thought Alice, “they’re sure to kill it in a day or two: wouldn’t it be
|
|
murder to leave it behind?” She said the last words out loud, and the
|
|
little thing grunted in reply (it had left off sneezing by this time).
|
|
“Don’t grunt,” said Alice; “that’s not at all a proper way of
|
|
expressing yourself.”
|
|
|
|
The baby grunted again, and Alice looked very anxiously into its face
|
|
to see what was the matter with it. There could be no doubt that it had
|
|
a very turn-up nose, much more like a snout than a real nose; also
|
|
its eyes were getting extremely small for a baby: altogether Alice did
|
|
not like the look of the thing at all. “But perhaps it was only
|
|
sobbing,” she thought, and looked into its eyes again, to see if there
|
|
were any tears.
|
|
|
|
No, there were no tears. “If you’re going to turn into a pig, my dear,”
|
|
said Alice, seriously, “I’ll have nothing more to do with you. Mind
|
|
now!” The poor little thing sobbed again (or grunted, it was impossible
|
|
to say which), and they went on for some while in silence.
|
|
|
|
Alice was just beginning to think to herself, “Now, what am I to do
|
|
with this creature when I get it home?” when it grunted again, so
|
|
violently, that she looked down into its face in some alarm. This time
|
|
there could be no mistake about it: it was neither more nor less than
|
|
a pig, and she felt that it would be quite absurd for her to carry it
|
|
further.
|
|
|
|
So she set the little creature down, and felt quite relieved to see it
|
|
trot away quietly into the wood. “If it had grown up,” she said to
|
|
herself, “it would have made a dreadfully ugly child: but it makes
|
|
rather a handsome pig, I think.” And she began thinking over other
|
|
children she knew, who might do very well as pigs, and was just saying
|
|
to herself, “if one only knew the right way to change them—” when she
|
|
was a little startled by seeing the Cheshire Cat sitting on a bough of
|
|
a tree a few yards off.
|
|
|
|
The Cat only grinned when it saw Alice. It looked good-natured, she
|
|
thought: still it had very long claws and a great many teeth, so she
|
|
felt that it ought to be treated with respect.
|
|
|
|
“Cheshire Puss,” she began, rather timidly, as she did not at all know
|
|
whether it would like the name: however, it only grinned a little
|
|
wider. “Come, it’s pleased so far,” thought Alice, and she went on.
|
|
“Would you tell me, please, which way I ought to go from here?”
|
|
|
|
“That depends a good deal on where you want to get to,” said the Cat.
|
|
|
|
“I don’t much care where—” said Alice.
|
|
|
|
“Then it doesn’t matter which way you go,” said the Cat.
|
|
|
|
“—so long as I get somewhere,” Alice added as an explanation.
|
|
|
|
“Oh, you’re sure to do that,” said the Cat, “if you only walk long
|
|
enough.”
|
|
|
|
Alice felt that this could not be denied, so she tried another
|
|
question. “What sort of people live about here?”
|
|
|
|
“In that direction,” the Cat said, waving its right paw round, “lives
|
|
a Hatter: and in that direction,” waving the other paw, “lives a
|
|
March Hare. Visit either you like: they’re both mad.”
|
|
|
|
“But I don’t want to go among mad people,” Alice remarked.
|
|
|
|
“Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad.
|
|
You’re mad.”
|
|
|
|
“How do you know I’m mad?” said Alice.
|
|
|
|
“You must be,” said the Cat, “or you wouldn’t have come here.”
|
|
|
|
Alice didn’t think that proved it at all; however, she went on “And how
|
|
do you know that you’re mad?”
|
|
|
|
“To begin with,” said the Cat, “a dog’s not mad. You grant that?”
|
|
|
|
“I suppose so,” said Alice.
|
|
|
|
“Well, then,” the Cat went on, “you see, a dog growls when it’s angry,
|
|
and wags its tail when it’s pleased. Now I growl when I’m pleased,
|
|
and wag my tail when I’m angry. Therefore I’m mad.”
|
|
|
|
“I call it purring, not growling,” said Alice.
|
|
|
|
“Call it what you like,” said the Cat. “Do you play croquet with the
|
|
Queen to-day?”
|
|
|
|
“I should like it very much,” said Alice, “but I haven’t been invited
|
|
yet.”
|
|
|
|
“You’ll see me there,” said the Cat, and vanished.
|
|
|
|
Alice was not much surprised at this, she was getting so used to queer
|
|
things happening. While she was looking at the place where it had been,
|
|
it suddenly appeared again.
|
|
|
|
“By-the-bye, what became of the baby?” said the Cat. “I’d nearly
|
|
forgotten to ask.”
|
|
|
|
“It turned into a pig,” Alice quietly said, just as if it had come back
|
|
in a natural way.
|
|
|
|
“I thought it would,” said the Cat, and vanished again.
|
|
|
|
Alice waited a little, half expecting to see it again, but it did not
|
|
appear, and after a minute or two she walked on in the direction in
|
|
which the March Hare was said to live. “I’ve seen hatters before,” she
|
|
said to herself; “the March Hare will be much the most interesting, and
|
|
perhaps as this is May it won’t be raving mad—at least not so mad as it
|
|
was in March.” As she said this, she looked up, and there was the Cat
|
|
again, sitting on a branch of a tree.
|
|
|
|
“Did you say pig, or fig?” said the Cat.
|
|
|
|
“I said pig,” replied Alice; “and I wish you wouldn’t keep appearing
|
|
and vanishing so suddenly: you make one quite giddy.”
|
|
|
|
“All right,” said the Cat; and this time it vanished quite slowly,
|
|
beginning with the end of the tail, and ending with the grin, which
|
|
remained some time after the rest of it had gone.
|
|
|
|
“Well! I’ve often seen a cat without a grin,” thought Alice; “but a
|
|
grin without a cat! It’s the most curious thing I ever saw in my life!”
|
|
|
|
She had not gone much farther before she came in sight of the house of
|
|
the March Hare: she thought it must be the right house, because the
|
|
chimneys were shaped like ears and the roof was thatched with fur. It
|
|
was so large a house, that she did not like to go nearer till she had
|
|
nibbled some more of the lefthand bit of mushroom, and raised herself
|
|
to about two feet high: even then she walked up towards it rather
|
|
timidly, saying to herself “Suppose it should be raving mad after all!
|
|
I almost wish I’d gone to see the Hatter instead!”
|
|
|
|
|
|
|
|
|
|
A Mad Tea-Party
|
|
|
|
|
|
There was a table set out under a tree in front of the house, and the
|
|
March Hare and the Hatter were having tea at it: a Dormouse was sitting
|
|
between them, fast asleep, and the other two were using it as a
|
|
cushion, resting their elbows on it, and talking over its head. “Very
|
|
uncomfortable for the Dormouse,” thought Alice; “only, as it’s asleep,
|
|
I suppose it doesn’t mind.”
|
|
|
|
The table was a large one, but the three were all crowded together at
|
|
one corner of it: “No room! No room!” they cried out when they saw
|
|
Alice coming. “There’s plenty of room!” said Alice indignantly, and
|
|
she sat down in a large arm-chair at one end of the table.
|
|
|
|
“Have some wine,” the March Hare said in an encouraging tone.
|
|
|
|
Alice looked all round the table, but there was nothing on it but tea.
|
|
“I don’t see any wine,” she remarked.
|
|
|
|
“There isn’t any,” said the March Hare.
|
|
|
|
“Then it wasn’t very civil of you to offer it,” said Alice angrily.
|
|
|
|
“It wasn’t very civil of you to sit down without being invited,” said
|
|
the March Hare.
|
|
|
|
“I didn’t know it was your table,” said Alice; “it’s laid for a great
|
|
many more than three.”
|
|
|
|
“Your hair wants cutting,” said the Hatter. He had been looking at
|
|
Alice for some time with great curiosity, and this was his first
|
|
speech.
|
|
|
|
“You should learn not to make personal remarks,” Alice said with some
|
|
severity; “it’s very rude.”
|
|
|
|
The Hatter opened his eyes very wide on hearing this; but all he said
|
|
was, “Why is a raven like a writing-desk?”
|
|
|
|
“Come, we shall have some fun now!” thought Alice. “I’m glad they’ve
|
|
begun asking riddles.—I believe I can guess that,” she added aloud.
|
|
|
|
“Do you mean that you think you can find out the answer to it?” said
|
|
the March Hare.
|
|
|
|
“Exactly so,” said Alice.
|
|
|
|
“Then you should say what you mean,” the March Hare went on.
|
|
|
|
“I do,” Alice hastily replied; “at least—at least I mean what I
|
|
say—that’s the same thing, you know.”
|
|
|
|
“Not the same thing a bit!” said the Hatter. “You might just as well
|
|
say that ‘I see what I eat’ is the same thing as ‘I eat what I see’!”
|
|
|
|
“You might just as well say,” added the March Hare, “that ‘I like what
|
|
I get’ is the same thing as ‘I get what I like’!”
|
|
|
|
“You might just as well say,” added the Dormouse, who seemed to be
|
|
talking in his sleep, “that ‘I breathe when I sleep’ is the same thing
|
|
as ‘I sleep when I breathe’!”
|
|
|
|
“It is the same thing with you,” said the Hatter, and here the
|
|
conversation dropped, and the party sat silent for a minute, while
|
|
Alice thought over all she could remember about ravens and
|
|
writing-desks, which wasn’t much.
|
|
|
|
The Hatter was the first to break the silence. “What day of the month
|
|
is it?” he said, turning to Alice: he had taken his watch out of his
|
|
pocket, and was looking at it uneasily, shaking it every now and then,
|
|
and holding it to his ear.
|
|
|
|
Alice considered a little, and then said “The fourth.”
|
|
|
|
“Two days wrong!” sighed the Hatter. “I told you butter wouldn’t suit
|
|
the works!” he added looking angrily at the March Hare.
|
|
|
|
“It was the best butter,” the March Hare meekly replied.
|
|
|
|
“Yes, but some crumbs must have got in as well,” the Hatter grumbled:
|
|
“you shouldn’t have put it in with the bread-knife.”
|
|
|
|
The March Hare took the watch and looked at it gloomily: then he dipped
|
|
it into his cup of tea, and looked at it again: but he could think of
|
|
nothing better to say than his first remark, “It was the best butter,
|
|
you know.”
|
|
|
|
Alice had been looking over his shoulder with some curiosity. “What a
|
|
funny watch!” she remarked. “It tells the day of the month, and doesn’t
|
|
tell what o’clock it is!”
|
|
|
|
“Why should it?” muttered the Hatter. “Does your watch tell you what
|
|
year it is?”
|
|
|
|
“Of course not,” Alice replied very readily: “but that’s because it
|
|
stays the same year for such a long time together.”
|
|
|
|
“Which is just the case with mine,” said the Hatter.
|
|
|
|
Alice felt dreadfully puzzled. The Hatter’s remark seemed to have no
|
|
sort of meaning in it, and yet it was certainly English. “I don’t quite
|
|
understand you,” she said, as politely as she could.
|
|
|
|
“The Dormouse is asleep again,” said the Hatter, and he poured a little
|
|
hot tea upon its nose.
|
|
|
|
The Dormouse shook its head impatiently, and said, without opening its
|
|
eyes, “Of course, of course; just what I was going to remark myself.”
|
|
|
|
“Have you guessed the riddle yet?” the Hatter said, turning to Alice
|
|
again.
|
|
|
|
“No, I give it up,” Alice replied: “what’s the answer?”
|
|
|
|
“I haven’t the slightest idea,” said the Hatter.
|
|
|
|
“Nor I,” said the March Hare.
|
|
|
|
Alice sighed wearily. “I think you might do something better with the
|
|
time,” she said, “than waste it in asking riddles that have no
|
|
answers.”
|
|
|
|
“If you knew Time as well as I do,” said the Hatter, “you wouldn’t talk
|
|
about wasting it. It’s him.”
|
|
|
|
“I don’t know what you mean,” said Alice.
|
|
|
|
“Of course you don’t!” the Hatter said, tossing his head
|
|
contemptuously. “I dare say you never even spoke to Time!”
|
|
|
|
“Perhaps not,” Alice cautiously replied: “but I know I have to beat
|
|
time when I learn music.”
|
|
|
|
“Ah! that accounts for it,” said the Hatter. “He won’t stand beating.
|
|
Now, if you only kept on good terms with him, he’d do almost anything
|
|
you liked with the clock. For instance, suppose it were nine o’clock in
|
|
the morning, just time to begin lessons: you’d only have to whisper a
|
|
hint to Time, and round goes the clock in a twinkling! Half-past one,
|
|
time for dinner!”
|
|
|
|
(“I only wish it was,” the March Hare said to itself in a whisper.)
|
|
|
|
“That would be grand, certainly,” said Alice thoughtfully: “but then—I
|
|
shouldn’t be hungry for it, you know.”
|
|
|
|
“Not at first, perhaps,” said the Hatter: “but you could keep it to
|
|
half-past one as long as you liked.”
|
|
|
|
“Is that the way you manage?” Alice asked.
|
|
|
|
The Hatter shook his head mournfully. “Not I!” he replied. “We
|
|
quarrelled last March—just before he went mad, you know—” (pointing
|
|
with his tea spoon at the March Hare,) “—it was at the great concert
|
|
given by the Queen of Hearts, and I had to sing
|
|
|
|
‘Twinkle, twinkle, little bat!
|
|
How I wonder what you’re at!’
|
|
|
|
|
|
You know the song, perhaps?”
|
|
|
|
“I’ve heard something like it,” said Alice.
|
|
|
|
“It goes on, you know,” the Hatter continued, “in this way:—
|
|
|
|
‘Up above the world you fly,
|
|
Like a tea-tray in the sky.
|
|
Twinkle, twinkle—’”
|
|
|
|
|
|
Here the Dormouse shook itself, and began singing in its sleep
|
|
“Twinkle, twinkle, twinkle, twinkle—” and went on so long that they
|
|
had to pinch it to make it stop.
|
|
|
|
“Well, I’d hardly finished the first verse,” said the Hatter, “when the
|
|
Queen jumped up and bawled out, ‘He’s murdering the time! Off with his
|
|
head!’”
|
|
|
|
“How dreadfully savage!” exclaimed Alice.
|
|
|
|
“And ever since that,” the Hatter went on in a mournful tone, “he won’t
|
|
do a thing I ask! It’s always six o’clock now.”
|
|
|
|
A bright idea came into Alice’s head. “Is that the reason so many
|
|
tea-things are put out here?” she asked.
|
|
|
|
“Yes, that’s it,” said the Hatter with a sigh: “it’s always tea-time,
|
|
and we’ve no time to wash the things between whiles.”
|
|
|
|
“Then you keep moving round, I suppose?” said Alice.
|
|
|
|
“Exactly so,” said the Hatter: “as the things get used up.”
|
|
|
|
“But what happens when you come to the beginning again?” Alice ventured
|
|
to ask.
|
|
|
|
“Suppose we change the subject,” the March Hare interrupted, yawning.
|
|
“I’m getting tired of this. I vote the young lady tells us a story.”
|
|
|
|
“I’m afraid I don’t know one,” said Alice, rather alarmed at the
|
|
proposal.
|
|
|
|
“Then the Dormouse shall!” they both cried. “Wake up, Dormouse!” And
|
|
they pinched it on both sides at once.
|
|
|
|
The Dormouse slowly opened his eyes. “I wasn’t asleep,” he said in a
|
|
hoarse, feeble voice: “I heard every word you fellows were saying.”
|
|
|
|
“Tell us a story!” said the March Hare.
|
|
|
|
“Yes, please do!” pleaded Alice.
|
|
|
|
“And be quick about it,” added the Hatter, “or you’ll be asleep again
|
|
before it’s done.”
|
|
|
|
“Once upon a time there were three little sisters,” the Dormouse began
|
|
in a great hurry; “and their names were Elsie, Lacie, and Tillie; and
|
|
they lived at the bottom of a well—”
|
|
|
|
“What did they live on?” said Alice, who always took a great interest
|
|
in questions of eating and drinking.
|
|
|
|
“They lived on treacle,” said the Dormouse, after thinking a minute or
|
|
two.
|
|
|
|
“They couldn’t have done that, you know,” Alice gently remarked;
|
|
“they’d have been ill.”
|
|
|
|
“So they were,” said the Dormouse; “very ill.”
|
|
|
|
Alice tried to fancy to herself what such an extraordinary ways of
|
|
living would be like, but it puzzled her too much, so she went on: “But
|
|
why did they live at the bottom of a well?”
|
|
|
|
“Take some more tea,” the March Hare said to Alice, very earnestly.
|
|
|
|
“I’ve had nothing yet,” Alice replied in an offended tone, “so I can’t
|
|
take more.”
|
|
|
|
“You mean you can’t take less,” said the Hatter: “it’s very easy to
|
|
take more than nothing.”
|
|
|
|
“Nobody asked your opinion,” said Alice.
|
|
|
|
“Who’s making personal remarks now?” the Hatter asked triumphantly.
|
|
|
|
Alice did not quite know what to say to this: so she helped herself to
|
|
some tea and bread-and-butter, and then turned to the Dormouse, and
|
|
repeated her question. “Why did they live at the bottom of a well?”
|
|
|
|
The Dormouse again took a minute or two to think about it, and then
|
|
said, “It was a treacle-well.”
|
|
|
|
“There’s no such thing!” Alice was beginning very angrily, but the
|
|
Hatter and the March Hare went “Sh! sh!” and the Dormouse sulkily
|
|
remarked, “If you can’t be civil, you’d better finish the story for
|
|
yourself.”
|
|
|
|
“No, please go on!” Alice said very humbly; “I won’t interrupt again. I
|
|
dare say there may be one.”
|
|
|
|
“One, indeed!” said the Dormouse indignantly. However, he consented to
|
|
go on. “And so these three little sisters—they were learning to draw,
|
|
you know—”
|
|
|
|
“What did they draw?” said Alice, quite forgetting her promise.
|
|
|
|
“Treacle,” said the Dormouse, without considering at all this time.
|
|
|
|
“I want a clean cup,” interrupted the Hatter: “let’s all move one place
|
|
on.”
|
|
|
|
He moved on as he spoke, and the Dormouse followed him: the March Hare
|
|
moved into the Dormouse’s place, and Alice rather unwillingly took the
|
|
place of the March Hare. The Hatter was the only one who got any
|
|
advantage from the change: and Alice was a good deal worse off than
|
|
before, as the March Hare had just upset the milk-jug into his plate.
|
|
|
|
Alice did not wish to offend the Dormouse again, so she began very
|
|
cautiously: “But I don’t understand. Where did they draw the treacle
|
|
from?”
|
|
|
|
“You can draw water out of a water-well,” said the Hatter; “so I should
|
|
think you could draw treacle out of a treacle-well—eh, stupid?”
|
|
|
|
“But they were in the well,” Alice said to the Dormouse, not choosing
|
|
to notice this last remark.
|
|
|
|
“Of course they were,” said the Dormouse; “—well in.”
|
|
|
|
This answer so confused poor Alice, that she let the Dormouse go on for
|
|
some time without interrupting it.
|
|
|
|
“They were learning to draw,” the Dormouse went on, yawning and rubbing
|
|
its eyes, for it was getting very sleepy; “and they drew all manner of
|
|
things—everything that begins with an M—”
|
|
|
|
“Why with an M?” said Alice.
|
|
|
|
“Why not?” said the March Hare.
|
|
|
|
Alice was silent.
|
|
|
|
The Dormouse had closed its eyes by this time, and was going off into a
|
|
doze; but, on being pinched by the Hatter, it woke up again with a
|
|
little shriek, and went on: “—that begins with an M, such as
|
|
mouse-traps, and the moon, and memory, and muchness—you know you say
|
|
things are “much of a muchness”—did you ever see such a thing as a
|
|
drawing of a muchness?”
|
|
|
|
“Really, now you ask me,” said Alice, very much confused, “I don’t
|
|
think—”
|
|
|
|
“Then you shouldn’t talk,” said the Hatter.
|
|
|
|
This piece of rudeness was more than Alice could bear: she got up in
|
|
great disgust, and walked off; the Dormouse fell asleep instantly, and
|
|
neither of the others took the least notice of her going, though she
|
|
looked back once or twice, half hoping that they would call after her:
|
|
the last time she saw them, they were trying to put the Dormouse into
|
|
the teapot.
|
|
|
|
“At any rate I’ll never go there again!” said Alice as she picked her
|
|
way through the wood. “It’s the stupidest tea-party I ever was at in
|
|
all my life!”
|
|
|
|
Just as she said this, she noticed that one of the trees had a door
|
|
leading right into it. “That’s very curious!” she thought. “But
|
|
everything’s curious today. I think I may as well go in at once.” And
|
|
in she went.
|
|
|
|
Once more she found herself in the long hall, and close to the little
|
|
glass table. “Now, I’ll manage better this time,” she said to herself,
|
|
and began by taking the little golden key, and unlocking the door that
|
|
led into the garden. Then she went to work nibbling at the mushroom
|
|
(she had kept a piece of it in her pocket) till she was about a foot
|
|
high: then she walked down the little passage: and then—she found
|
|
herself at last in the beautiful garden, among the bright flower-beds
|
|
and the cool fountains.
|
|
|
|
|
|
|
|
|
|
The Queen’s Croquet-Ground
|
|
|
|
|
|
A large rose-tree stood near the entrance of the garden: the roses
|
|
growing on it were white, but there were three gardeners at it, busily
|
|
painting them red. Alice thought this a very curious thing, and she
|
|
went nearer to watch them, and just as she came up to them she heard
|
|
one of them say, “Look out now, Five! Don’t go splashing paint over me
|
|
like that!”
|
|
|
|
“I couldn’t help it,” said Five, in a sulky tone; “Seven jogged my
|
|
elbow.”
|
|
|
|
On which Seven looked up and said, “That’s right, Five! Always lay the
|
|
blame on others!”
|
|
|
|
“You’d better not talk!” said Five. “I heard the Queen say only
|
|
yesterday you deserved to be beheaded!”
|
|
|
|
“What for?” said the one who had spoken first.
|
|
|
|
“That’s none of your business, Two!” said Seven.
|
|
|
|
“Yes, it is his business!” said Five, “and I’ll tell him—it was for
|
|
bringing the cook tulip-roots instead of onions.”
|
|
|
|
Seven flung down his brush, and had just begun “Well, of all the unjust
|
|
things—” when his eye chanced to fall upon Alice, as she stood watching
|
|
them, and he checked himself suddenly: the others looked round also,
|
|
and all of them bowed low.
|
|
|
|
“Would you tell me,” said Alice, a little timidly, “why you are
|
|
painting those roses?”
|
|
|
|
Five and Seven said nothing, but looked at Two. Two began in a low
|
|
voice, “Why the fact is, you see, Miss, this here ought to have been a
|
|
red rose-tree, and we put a white one in by mistake; and if the Queen
|
|
was to find it out, we should all have our heads cut off, you know. So
|
|
you see, Miss, we’re doing our best, afore she comes, to—” At this
|
|
moment Five, who had been anxiously looking across the garden, called
|
|
out “The Queen! The Queen!” and the three gardeners instantly threw
|
|
themselves flat upon their faces. There was a sound of many footsteps,
|
|
and Alice looked round, eager to see the Queen.
|
|
|
|
First came ten soldiers carrying clubs; these were all shaped like the
|
|
three gardeners, oblong and flat, with their hands and feet at the
|
|
corners: next the ten courtiers; these were ornamented all over with
|
|
diamonds, and walked two and two, as the soldiers did. After these came
|
|
the royal children; there were ten of them, and the little dears came
|
|
jumping merrily along hand in hand, in couples: they were all
|
|
ornamented with hearts. Next came the guests, mostly Kings and Queens,
|
|
and among them Alice recognised the White Rabbit: it was talking in a
|
|
hurried nervous manner, smiling at everything that was said, and went
|
|
by without noticing her. Then followed the Knave of Hearts, carrying
|
|
the King’s crown on a crimson velvet cushion; and, last of all this
|
|
grand procession, came THE KING AND QUEEN OF HEARTS.
|
|
|
|
Alice was rather doubtful whether she ought not to lie down on her face
|
|
like the three gardeners, but she could not remember ever having heard
|
|
of such a rule at processions; “and besides, what would be the use of a
|
|
procession,” thought she, “if people had all to lie down upon their
|
|
faces, so that they couldn’t see it?” So she stood still where she was,
|
|
and waited.
|
|
|
|
When the procession came opposite to Alice, they all stopped and looked
|
|
at her, and the Queen said severely “Who is this?” She said it to the
|
|
Knave of Hearts, who only bowed and smiled in reply.
|
|
|
|
“Idiot!” said the Queen, tossing her head impatiently; and, turning to
|
|
Alice, she went on, “What’s your name, child?”
|
|
|
|
“My name is Alice, so please your Majesty,” said Alice very politely;
|
|
but she added, to herself, “Why, they’re only a pack of cards, after
|
|
all. I needn’t be afraid of them!”
|
|
|
|
“And who are these?” said the Queen, pointing to the three gardeners
|
|
who were lying round the rose-tree; for, you see, as they were lying on
|
|
their faces, and the pattern on their backs was the same as the rest of
|
|
the pack, she could not tell whether they were gardeners, or soldiers,
|
|
or courtiers, or three of her own children.
|
|
|
|
“How should I know?” said Alice, surprised at her own courage. “It’s
|
|
no business of mine.”
|
|
|
|
The Queen turned crimson with fury, and, after glaring at her for a
|
|
moment like a wild beast, screamed “Off with her head! Off—”
|
|
|
|
“Nonsense!” said Alice, very loudly and decidedly, and the Queen was
|
|
silent.
|
|
|
|
The King laid his hand upon her arm, and timidly said “Consider, my
|
|
dear: she is only a child!”
|
|
|
|
The Queen turned angrily away from him, and said to the Knave “Turn
|
|
them over!”
|
|
|
|
The Knave did so, very carefully, with one foot.
|
|
|
|
“Get up!” said the Queen, in a shrill, loud voice, and the three
|
|
gardeners instantly jumped up, and began bowing to the King, the Queen,
|
|
the royal children, and everybody else.
|
|
|
|
“Leave off that!” screamed the Queen. “You make me giddy.” And then,
|
|
turning to the rose-tree, she went on, “What have you been doing
|
|
here?”
|
|
|
|
“May it please your Majesty,” said Two, in a very humble tone, going
|
|
down on one knee as he spoke, “we were trying—”
|
|
|
|
“I see!” said the Queen, who had meanwhile been examining the roses.
|
|
“Off with their heads!” and the procession moved on, three of the
|
|
soldiers remaining behind to execute the unfortunate gardeners, who ran
|
|
to Alice for protection.
|
|
|
|
“You shan’t be beheaded!” said Alice, and she put them into a large
|
|
flower-pot that stood near. The three soldiers wandered about for a
|
|
minute or two, looking for them, and then quietly marched off after the
|
|
others.
|
|
|
|
“Are their heads off?” shouted the Queen.
|
|
|
|
“Their heads are gone, if it please your Majesty!” the soldiers shouted
|
|
in reply.
|
|
|
|
“That’s right!” shouted the Queen. “Can you play croquet?”
|
|
|
|
The soldiers were silent, and looked at Alice, as the question was
|
|
evidently meant for her.
|
|
|
|
“Yes!” shouted Alice.
|
|
|
|
“Come on, then!” roared the Queen, and Alice joined the procession,
|
|
wondering very much what would happen next.
|
|
|
|
“It’s—it’s a very fine day!” said a timid voice at her side. She was
|
|
walking by the White Rabbit, who was peeping anxiously into her face.
|
|
|
|
“Very,” said Alice: “—where’s the Duchess?”
|
|
|
|
“Hush! Hush!” said the Rabbit in a low, hurried tone. He looked
|
|
anxiously over his shoulder as he spoke, and then raised himself upon
|
|
tiptoe, put his mouth close to her ear, and whispered “She’s under
|
|
sentence of execution.”
|
|
|
|
“What for?” said Alice.
|
|
|
|
“Did you say ‘What a pity!’?” the Rabbit asked.
|
|
|
|
“No, I didn’t,” said Alice: “I don’t think it’s at all a pity. I said
|
|
‘What for?’”
|
|
|
|
“She boxed the Queen’s ears—” the Rabbit began. Alice gave a little
|
|
scream of laughter. “Oh, hush!” the Rabbit whispered in a frightened
|
|
tone. “The Queen will hear you! You see, she came rather late, and the
|
|
Queen said—”
|
|
|
|
“Get to your places!” shouted the Queen in a voice of thunder, and
|
|
people began running about in all directions, tumbling up against each
|
|
other; however, they got settled down in a minute or two, and the game
|
|
began. Alice thought she had never seen such a curious croquet-ground
|
|
in her life; it was all ridges and furrows; the balls were live
|
|
hedgehogs, the mallets live flamingoes, and the soldiers had to double
|
|
themselves up and to stand on their hands and feet, to make the arches.
|
|
|
|
The chief difficulty Alice found at first was in managing her flamingo:
|
|
she succeeded in getting its body tucked away, comfortably enough,
|
|
under her arm, with its legs hanging down, but generally, just as she
|
|
had got its neck nicely straightened out, and was going to give the
|
|
hedgehog a blow with its head, it would twist itself round and look
|
|
up in her face, with such a puzzled expression that she could not help
|
|
bursting out laughing: and when she had got its head down, and was
|
|
going to begin again, it was very provoking to find that the hedgehog
|
|
had unrolled itself, and was in the act of crawling away: besides all
|
|
this, there was generally a ridge or furrow in the way wherever she
|
|
wanted to send the hedgehog to, and, as the doubled-up soldiers were
|
|
always getting up and walking off to other parts of the ground, Alice
|
|
soon came to the conclusion that it was a very difficult game indeed.
|
|
|
|
The players all played at once without waiting for turns, quarrelling
|
|
all the while, and fighting for the hedgehogs; and in a very short time
|
|
the Queen was in a furious passion, and went stamping about, and
|
|
shouting “Off with his head!” or “Off with her head!” about once in a
|
|
minute.
|
|
|
|
Alice began to feel very uneasy: to be sure, she had not as yet had any
|
|
dispute with the Queen, but she knew that it might happen any minute,
|
|
“and then,” thought she, “what would become of me? They’re dreadfully
|
|
fond of beheading people here; the great wonder is, that there’s any
|
|
one left alive!”
|
|
|
|
She was looking about for some way of escape, and wondering whether she
|
|
could get away without being seen, when she noticed a curious
|
|
appearance in the air: it puzzled her very much at first, but, after
|
|
watching it a minute or two, she made it out to be a grin, and she said
|
|
to herself “It’s the Cheshire Cat: now I shall have somebody to talk
|
|
to.”
|
|
|
|
“How are you getting on?” said the Cat, as soon as there was mouth
|
|
enough for it to speak with.
|
|
|
|
Alice waited till the eyes appeared, and then nodded. “It’s no use
|
|
speaking to it,” she thought, “till its ears have come, or at least one
|
|
of them.” In another minute the whole head appeared, and then Alice put
|
|
down her flamingo, and began an account of the game, feeling very glad
|
|
she had someone to listen to her. The Cat seemed to think that there
|
|
was enough of it now in sight, and no more of it appeared.
|
|
|
|
“I don’t think they play at all fairly,” Alice began, in rather a
|
|
complaining tone, “and they all quarrel so dreadfully one can’t hear
|
|
oneself speak—and they don’t seem to have any rules in particular; at
|
|
least, if there are, nobody attends to them—and you’ve no idea how
|
|
confusing it is all the things being alive; for instance, there’s the
|
|
arch I’ve got to go through next walking about at the other end of the
|
|
ground—and I should have croqueted the Queen’s hedgehog just now, only
|
|
it ran away when it saw mine coming!”
|
|
|
|
“How do you like the Queen?” said the Cat in a low voice.
|
|
|
|
“Not at all,” said Alice: “she’s so extremely—” Just then she noticed
|
|
that the Queen was close behind her, listening: so she went on,
|
|
“—likely to win, that it’s hardly worth while finishing the game.”
|
|
|
|
The Queen smiled and passed on.
|
|
|
|
“Who are you talking to?” said the King, going up to Alice, and
|
|
looking at the Cat’s head with great curiosity.
|
|
|
|
“It’s a friend of mine—a Cheshire Cat,” said Alice: “allow me to
|
|
introduce it.”
|
|
|
|
“I don’t like the look of it at all,” said the King: “however, it may
|
|
kiss my hand if it likes.”
|
|
|
|
“I’d rather not,” the Cat remarked.
|
|
|
|
“Don’t be impertinent,” said the King, “and don’t look at me like
|
|
that!” He got behind Alice as he spoke.
|
|
|
|
“A cat may look at a king,” said Alice. “I’ve read that in some book,
|
|
but I don’t remember where.”
|
|
|
|
“Well, it must be removed,” said the King very decidedly, and he called
|
|
the Queen, who was passing at the moment, “My dear! I wish you would
|
|
have this cat removed!”
|
|
|
|
The Queen had only one way of settling all difficulties, great or
|
|
small. “Off with his head!” she said, without even looking round.
|
|
|
|
“I’ll fetch the executioner myself,” said the King eagerly, and he
|
|
hurried off.
|
|
|
|
Alice thought she might as well go back, and see how the game was going
|
|
on, as she heard the Queen’s voice in the distance, screaming with
|
|
passion. She had already heard her sentence three of the players to be
|
|
executed for having missed their turns, and she did not like the look
|
|
of things at all, as the game was in such confusion that she never knew
|
|
whether it was her turn or not. So she went in search of her hedgehog.
|
|
|
|
The hedgehog was engaged in a fight with another hedgehog, which seemed
|
|
to Alice an excellent opportunity for croqueting one of them with the
|
|
other: the only difficulty was, that her flamingo was gone across to
|
|
the other side of the garden, where Alice could see it trying in a
|
|
helpless sort of way to fly up into a tree.
|
|
|
|
By the time she had caught the flamingo and brought it back, the fight
|
|
was over, and both the hedgehogs were out of sight: “but it doesn’t
|
|
matter much,” thought Alice, “as all the arches are gone from this side
|
|
of the ground.” So she tucked it away under her arm, that it might not
|
|
escape again, and went back for a little more conversation with her
|
|
friend.
|
|
|
|
When she got back to the Cheshire Cat, she was surprised to find quite
|
|
a large crowd collected round it: there was a dispute going on between
|
|
the executioner, the King, and the Queen, who were all talking at once,
|
|
while all the rest were quite silent, and looked very uncomfortable.
|
|
|
|
The moment Alice appeared, she was appealed to by all three to settle
|
|
the question, and they repeated their arguments to her, though, as they
|
|
all spoke at once, she found it very hard indeed to make out exactly
|
|
what they said.
|
|
|
|
The executioner’s argument was, that you couldn’t cut off a head unless
|
|
there was a body to cut it off from: that he had never had to do such a
|
|
thing before, and he wasn’t going to begin at his time of life.
|
|
|
|
The King’s argument was, that anything that had a head could be
|
|
beheaded, and that you weren’t to talk nonsense.
|
|
|
|
The Queen’s argument was, that if something wasn’t done about it in
|
|
less than no time she’d have everybody executed, all round. (It was
|
|
this last remark that had made the whole party look so grave and
|
|
anxious.)
|
|
|
|
Alice could think of nothing else to say but “It belongs to the
|
|
Duchess: you’d better ask her about it.”
|
|
|
|
“She’s in prison,” the Queen said to the executioner: “fetch her here.”
|
|
And the executioner went off like an arrow.
|
|
|
|
The Cat’s head began fading away the moment he was gone, and, by the
|
|
time he had come back with the Duchess, it had entirely disappeared; so
|
|
the King and the executioner ran wildly up and down looking for it,
|
|
while the rest of the party went back to the game.
|
|
|
|
|
|
|
|
|
|
The Mock Turtle’s Story
|
|
|
|
|
|
“You can’t think how glad I am to see you again, you dear old thing!”
|
|
said the Duchess, as she tucked her arm affectionately into Alice’s,
|
|
and they walked off together.
|
|
|
|
Alice was very glad to find her in such a pleasant temper, and thought
|
|
to herself that perhaps it was only the pepper that had made her so
|
|
savage when they met in the kitchen.
|
|
|
|
“When I’m a Duchess,” she said to herself, (not in a very hopeful
|
|
tone though), “I won’t have any pepper in my kitchen at all. Soup
|
|
does very well without—Maybe it’s always pepper that makes people
|
|
hot-tempered,” she went on, very much pleased at having found out a new
|
|
kind of rule, “and vinegar that makes them sour—and camomile that makes
|
|
them bitter—and—and barley-sugar and such things that make children
|
|
sweet-tempered. I only wish people knew that: then they wouldn’t be
|
|
so stingy about it, you know—”
|
|
|
|
She had quite forgotten the Duchess by this time, and was a little
|
|
startled when she heard her voice close to her ear. “You’re thinking
|
|
about something, my dear, and that makes you forget to talk. I can’t
|
|
tell you just now what the moral of that is, but I shall remember it in
|
|
a bit.”
|
|
|
|
“Perhaps it hasn’t one,” Alice ventured to remark.
|
|
|
|
“Tut, tut, child!” said the Duchess. “Everything’s got a moral, if only
|
|
you can find it.” And she squeezed herself up closer to Alice’s side as
|
|
she spoke.
|
|
|
|
Alice did not much like keeping so close to her: first, because the
|
|
Duchess was very ugly; and secondly, because she was exactly the
|
|
right height to rest her chin upon Alice’s shoulder, and it was an
|
|
uncomfortably sharp chin. However, she did not like to be rude, so she
|
|
bore it as well as she could.
|
|
|
|
“The game’s going on rather better now,” she said, by way of keeping up
|
|
the conversation a little.
|
|
|
|
“’Tis so,” said the Duchess: “and the moral of that is—‘Oh, ’tis love,
|
|
’tis love, that makes the world go round!’”
|
|
|
|
“Somebody said,” Alice whispered, “that it’s done by everybody minding
|
|
their own business!”
|
|
|
|
“Ah, well! It means much the same thing,” said the Duchess, digging her
|
|
sharp little chin into Alice’s shoulder as she added, “and the moral of
|
|
that is—‘Take care of the sense, and the sounds will take care of
|
|
themselves.’”
|
|
|
|
“How fond she is of finding morals in things!” Alice thought to
|
|
herself.
|
|
|
|
“I dare say you’re wondering why I don’t put my arm round your waist,”
|
|
the Duchess said after a pause: “the reason is, that I’m doubtful about
|
|
the temper of your flamingo. Shall I try the experiment?”
|
|
|
|
“He might bite,” Alice cautiously replied, not feeling at all anxious
|
|
to have the experiment tried.
|
|
|
|
“Very true,” said the Duchess: “flamingoes and mustard both bite. And
|
|
the moral of that is—‘Birds of a feather flock together.’”
|
|
|
|
“Only mustard isn’t a bird,” Alice remarked.
|
|
|
|
“Right, as usual,” said the Duchess: “what a clear way you have of
|
|
putting things!”
|
|
|
|
“It’s a mineral, I think,” said Alice.
|
|
|
|
“Of course it is,” said the Duchess, who seemed ready to agree to
|
|
everything that Alice said; “there’s a large mustard-mine near here.
|
|
And the moral of that is—‘The more there is of mine, the less there is
|
|
of yours.’”
|
|
|
|
“Oh, I know!” exclaimed Alice, who had not attended to this last
|
|
remark, “it’s a vegetable. It doesn’t look like one, but it is.”
|
|
|
|
“I quite agree with you,” said the Duchess; “and the moral of that
|
|
is—‘Be what you would seem to be’—or if you’d like it put more
|
|
simply—‘Never imagine yourself not to be otherwise than what it might
|
|
appear to others that what you were or might have been was not
|
|
otherwise than what you had been would have appeared to them to be
|
|
otherwise.’”
|
|
|
|
“I think I should understand that better,” Alice said very politely,
|
|
“if I had it written down: but I can’t quite follow it as you say it.”
|
|
|
|
“That’s nothing to what I could say if I chose,” the Duchess replied,
|
|
in a pleased tone.
|
|
|
|
“Pray don’t trouble yourself to say it any longer than that,” said
|
|
Alice.
|
|
|
|
“Oh, don’t talk about trouble!” said the Duchess. “I make you a present
|
|
of everything I’ve said as yet.”
|
|
|
|
“A cheap sort of present!” thought Alice. “I’m glad they don’t give
|
|
birthday presents like that!” But she did not venture to say it out
|
|
loud.
|
|
|
|
“Thinking again?” the Duchess asked, with another dig of her sharp
|
|
little chin.
|
|
|
|
“I’ve a right to think,” said Alice sharply, for she was beginning to
|
|
feel a little worried.
|
|
|
|
“Just about as much right,” said the Duchess, “as pigs have to fly; and
|
|
the m—”
|
|
|
|
But here, to Alice’s great surprise, the Duchess’s voice died away,
|
|
even in the middle of her favourite word ‘moral,’ and the arm that was
|
|
linked into hers began to tremble. Alice looked up, and there stood the
|
|
Queen in front of them, with her arms folded, frowning like a
|
|
thunderstorm.
|
|
|
|
“A fine day, your Majesty!” the Duchess began in a low, weak voice.
|
|
|
|
“Now, I give you fair warning,” shouted the Queen, stamping on the
|
|
ground as she spoke; “either you or your head must be off, and that in
|
|
about half no time! Take your choice!”
|
|
|
|
The Duchess took her choice, and was gone in a moment.
|
|
|
|
“Let’s go on with the game,” the Queen said to Alice; and Alice was too
|
|
much frightened to say a word, but slowly followed her back to the
|
|
croquet-ground.
|
|
|
|
The other guests had taken advantage of the Queen’s absence, and were
|
|
resting in the shade: however, the moment they saw her, they hurried
|
|
back to the game, the Queen merely remarking that a moment’s delay
|
|
would cost them their lives.
|
|
|
|
All the time they were playing the Queen never left off quarrelling
|
|
with the other players, and shouting “Off with his head!” or “Off with
|
|
her head!” Those whom she sentenced were taken into custody by the
|
|
soldiers, who of course had to leave off being arches to do this, so
|
|
that by the end of half an hour or so there were no arches left, and
|
|
all the players, except the King, the Queen, and Alice, were in custody
|
|
and under sentence of execution.
|
|
|
|
Then the Queen left off, quite out of breath, and said to Alice, “Have
|
|
you seen the Mock Turtle yet?”
|
|
|
|
“No,” said Alice. “I don’t even know what a Mock Turtle is.”
|
|
|
|
“It’s the thing Mock Turtle Soup is made from,” said the Queen.
|
|
|
|
“I never saw one, or heard of one,” said Alice.
|
|
|
|
“Come on, then,” said the Queen, “and he shall tell you his history,”
|
|
|
|
As they walked off together, Alice heard the King say in a low voice,
|
|
to the company generally, “You are all pardoned.” “Come, that’s a
|
|
good thing!” she said to herself, for she had felt quite unhappy at the
|
|
number of executions the Queen had ordered.
|
|
|
|
They very soon came upon a Gryphon, lying fast asleep in the sun. (If
|
|
you don’t know what a Gryphon is, look at the picture.) “Up, lazy
|
|
thing!” said the Queen, “and take this young lady to see the Mock
|
|
Turtle, and to hear his history. I must go back and see after some
|
|
executions I have ordered;” and she walked off, leaving Alice alone
|
|
with the Gryphon. Alice did not quite like the look of the creature,
|
|
but on the whole she thought it would be quite as safe to stay with it
|
|
as to go after that savage Queen: so she waited.
|
|
|
|
The Gryphon sat up and rubbed its eyes: then it watched the Queen till
|
|
she was out of sight: then it chuckled. “What fun!” said the Gryphon,
|
|
half to itself, half to Alice.
|
|
|
|
“What is the fun?” said Alice.
|
|
|
|
“Why, she,” said the Gryphon. “It’s all her fancy, that: they never
|
|
executes nobody, you know. Come on!”
|
|
|
|
“Everybody says ‘come on!’ here,” thought Alice, as she went slowly
|
|
after it: “I never was so ordered about in all my life, never!”
|
|
|
|
They had not gone far before they saw the Mock Turtle in the distance,
|
|
sitting sad and lonely on a little ledge of rock, and, as they came
|
|
nearer, Alice could hear him sighing as if his heart would break. She
|
|
pitied him deeply. “What is his sorrow?” she asked the Gryphon, and the
|
|
Gryphon answered, very nearly in the same words as before, “It’s all
|
|
his fancy, that: he hasn’t got no sorrow, you know. Come on!”
|
|
|
|
So they went up to the Mock Turtle, who looked at them with large eyes
|
|
full of tears, but said nothing.
|
|
|
|
“This here young lady,” said the Gryphon, “she wants for to know your
|
|
history, she do.”
|
|
|
|
“I’ll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit
|
|
down, both of you, and don’t speak a word till I’ve finished.”
|
|
|
|
So they sat down, and nobody spoke for some minutes. Alice thought to
|
|
herself, “I don’t see how he can ever finish, if he doesn’t begin.”
|
|
But she waited patiently.
|
|
|
|
“Once,” said the Mock Turtle at last, with a deep sigh, “I was a real
|
|
Turtle.”
|
|
|
|
These words were followed by a very long silence, broken only by an
|
|
occasional exclamation of “Hjckrrh!” from the Gryphon, and the constant
|
|
heavy sobbing of the Mock Turtle. Alice was very nearly getting up and
|
|
saying, “Thank you, sir, for your interesting story,” but she could not
|
|
help thinking there must be more to come, so she sat still and said
|
|
nothing.
|
|
|
|
“When we were little,” the Mock Turtle went on at last, more calmly,
|
|
though still sobbing a little now and then, “we went to school in the
|
|
sea. The master was an old Turtle—we used to call him Tortoise—”
|
|
|
|
“Why did you call him Tortoise, if he wasn’t one?” Alice asked.
|
|
|
|
“We called him Tortoise because he taught us,” said the Mock Turtle
|
|
angrily: “really you are very dull!”
|
|
|
|
“You ought to be ashamed of yourself for asking such a simple
|
|
question,” added the Gryphon; and then they both sat silent and looked
|
|
at poor Alice, who felt ready to sink into the earth. At last the
|
|
Gryphon said to the Mock Turtle, “Drive on, old fellow! Don’t be all
|
|
day about it!” and he went on in these words:
|
|
|
|
“Yes, we went to school in the sea, though you mayn’t believe it—”
|
|
|
|
“I never said I didn’t!” interrupted Alice.
|
|
|
|
“You did,” said the Mock Turtle.
|
|
|
|
“Hold your tongue!” added the Gryphon, before Alice could speak again.
|
|
The Mock Turtle went on.
|
|
|
|
“We had the best of educations—in fact, we went to school every day—”
|
|
|
|
“I’ve been to a day-school, too,” said Alice; “you needn’t be so
|
|
proud as all that.”
|
|
|
|
“With extras?” asked the Mock Turtle a little anxiously.
|
|
|
|
“Yes,” said Alice, “we learned French and music.”
|
|
|
|
“And washing?” said the Mock Turtle.
|
|
|
|
“Certainly not!” said Alice indignantly.
|
|
|
|
“Ah! then yours wasn’t a really good school,” said the Mock Turtle in a
|
|
tone of great relief. “Now at ours they had at the end of the bill,
|
|
‘French, music, and washing—extra.’”
|
|
|
|
“You couldn’t have wanted it much,” said Alice; “living at the bottom
|
|
of the sea.”
|
|
|
|
“I couldn’t afford to learn it.” said the Mock Turtle with a sigh. “I
|
|
only took the regular course.”
|
|
|
|
“What was that?” inquired Alice.
|
|
|
|
“Reeling and Writhing, of course, to begin with,” the Mock Turtle
|
|
replied; “and then the different branches of Arithmetic—Ambition,
|
|
Distraction, Uglification, and Derision.”
|
|
|
|
“I never heard of ‘Uglification,’” Alice ventured to say. “What is it?”
|
|
|
|
The Gryphon lifted up both its paws in surprise. “What! Never heard of
|
|
uglifying!” it exclaimed. “You know what to beautify is, I suppose?”
|
|
|
|
“Yes,” said Alice doubtfully: “it means—to—make—anything—prettier.”
|
|
|
|
“Well, then,” the Gryphon went on, “if you don’t know what to uglify
|
|
is, you are a simpleton.”
|
|
|
|
Alice did not feel encouraged to ask any more questions about it, so
|
|
she turned to the Mock Turtle, and said “What else had you to learn?”
|
|
|
|
“Well, there was Mystery,” the Mock Turtle replied, counting off the
|
|
subjects on his flappers, “—Mystery, ancient and modern, with
|
|
Seaography: then Drawling—the Drawling-master was an old conger-eel,
|
|
that used to come once a week: he taught us Drawling, Stretching, and
|
|
Fainting in Coils.”
|
|
|
|
“What was that like?” said Alice.
|
|
|
|
“Well, I can’t show it you myself,” the Mock Turtle said: “I’m too
|
|
stiff. And the Gryphon never learnt it.”
|
|
|
|
“Hadn’t time,” said the Gryphon: “I went to the Classics master,
|
|
though. He was an old crab, he was.”
|
|
|
|
“I never went to him,” the Mock Turtle said with a sigh: “he taught
|
|
Laughing and Grief, they used to say.”
|
|
|
|
“So he did, so he did,” said the Gryphon, sighing in his turn; and both
|
|
creatures hid their faces in their paws.
|
|
|
|
“And how many hours a day did you do lessons?” said Alice, in a hurry
|
|
to change the subject.
|
|
|
|
“Ten hours the first day,” said the Mock Turtle: “nine the next, and so
|
|
on.”
|
|
|
|
“What a curious plan!” exclaimed Alice.
|
|
|
|
“That’s the reason they’re called lessons,” the Gryphon remarked:
|
|
“because they lessen from day to day.”
|
|
|
|
This was quite a new idea to Alice, and she thought it over a little
|
|
before she made her next remark. “Then the eleventh day must have been
|
|
a holiday?”
|
|
|
|
“Of course it was,” said the Mock Turtle.
|
|
|
|
“And how did you manage on the twelfth?” Alice went on eagerly.
|
|
|
|
“That’s enough about lessons,” the Gryphon interrupted in a very
|
|
decided tone: “tell her something about the games now.”
|
|
|
|
|
|
|
|
|
|
The Lobster Quadrille
|
|
|
|
|
|
The Mock Turtle sighed deeply, and drew the back of one flapper across
|
|
his eyes. He looked at Alice, and tried to speak, but for a minute or
|
|
two sobs choked his voice. “Same as if he had a bone in his throat,”
|
|
said the Gryphon: and it set to work shaking him and punching him in
|
|
the back. At last the Mock Turtle recovered his voice, and, with tears
|
|
running down his cheeks, he went on again:—
|
|
|
|
“You may not have lived much under the sea—” (“I haven’t,” said
|
|
Alice)—“and perhaps you were never even introduced to a lobster—”
|
|
(Alice began to say “I once tasted—” but checked herself hastily, and
|
|
said “No, never”) “—so you can have no idea what a delightful thing a
|
|
Lobster Quadrille is!”
|
|
|
|
“No, indeed,” said Alice. “What sort of a dance is it?”
|
|
|
|
“Why,” said the Gryphon, “you first form into a line along the
|
|
sea-shore—”
|
|
|
|
“Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on;
|
|
then, when you’ve cleared all the jelly-fish out of the way—”
|
|
|
|
“That generally takes some time,” interrupted the Gryphon.
|
|
|
|
“—you advance twice—”
|
|
|
|
“Each with a lobster as a partner!” cried the Gryphon.
|
|
|
|
“Of course,” the Mock Turtle said: “advance twice, set to partners—”
|
|
|
|
“—change lobsters, and retire in same order,” continued the Gryphon.
|
|
|
|
“Then, you know,” the Mock Turtle went on, “you throw the—”
|
|
|
|
“The lobsters!” shouted the Gryphon, with a bound into the air.
|
|
|
|
“—as far out to sea as you can—”
|
|
|
|
“Swim after them!” screamed the Gryphon.
|
|
|
|
“Turn a somersault in the sea!” cried the Mock Turtle, capering wildly
|
|
about.
|
|
|
|
“Change lobsters again!” yelled the Gryphon at the top of its voice.
|
|
|
|
“Back to land again, and that’s all the first figure,” said the Mock
|
|
Turtle, suddenly dropping his voice; and the two creatures, who had
|
|
been jumping about like mad things all this time, sat down again very
|
|
sadly and quietly, and looked at Alice.
|
|
|
|
“It must be a very pretty dance,” said Alice timidly.
|
|
|
|
“Would you like to see a little of it?” said the Mock Turtle.
|
|
|
|
“Very much indeed,” said Alice.
|
|
|
|
“Come, let’s try the first figure!” said the Mock Turtle to the
|
|
Gryphon. “We can do without lobsters, you know. Which shall sing?”
|
|
|
|
“Oh, you sing,” said the Gryphon. “I’ve forgotten the words.”
|
|
|
|
So they began solemnly dancing round and round Alice, every now and
|
|
then treading on her toes when they passed too close, and waving their
|
|
forepaws to mark the time, while the Mock Turtle sang this, very slowly
|
|
and sadly:—
|
|
|
|
“Will you walk a little faster?” said a whiting to a snail.
|
|
“There’s a porpoise close behind us, and he’s treading on my tail.
|
|
See how eagerly the lobsters and the turtles all advance!
|
|
They are waiting on the shingle—will you come and join the dance?
|
|
Will you, won’t you, will you, won’t you, will you join the dance?
|
|
Will you, won’t you, will you, won’t you, won’t you join the dance?
|
|
|
|
“You can really have no notion how delightful it will be
|
|
When they take us up and throw us, with the lobsters, out to sea!”
|
|
But the snail replied “Too far, too far!” and gave a look askance—
|
|
Said he thanked the whiting kindly, but he would not join the dance.
|
|
Would not, could not, would not, could not, would not join the dance.
|
|
Would not, could not, would not, could not, could not join the dance.
|
|
|
|
“What matters it how far we go?” his scaly friend replied.
|
|
“There is another shore, you know, upon the other side.
|
|
The further off from England the nearer is to France—
|
|
Then turn not pale, beloved snail, but come and join the dance.
|
|
Will you, won’t you, will you, won’t you, will you join the dance?
|
|
Will you, won’t you, will you, won’t you, won’t you join the dance?”
|
|
|
|
|
|
“Thank you, it’s a very interesting dance to watch,” said Alice,
|
|
feeling very glad that it was over at last: “and I do so like that
|
|
curious song about the whiting!”
|
|
|
|
“Oh, as to the whiting,” said the Mock Turtle, “they—you’ve seen them,
|
|
of course?”
|
|
|
|
“Yes,” said Alice, “I’ve often seen them at dinn—” she checked herself
|
|
hastily.
|
|
|
|
“I don’t know where Dinn may be,” said the Mock Turtle, “but if you’ve
|
|
seen them so often, of course you know what they’re like.”
|
|
|
|
“I believe so,” Alice replied thoughtfully. “They have their tails in
|
|
their mouths—and they’re all over crumbs.”
|
|
|
|
“You’re wrong about the crumbs,” said the Mock Turtle: “crumbs would
|
|
all wash off in the sea. But they have their tails in their mouths;
|
|
and the reason is—” here the Mock Turtle yawned and shut his
|
|
eyes.—“Tell her about the reason and all that,” he said to the Gryphon.
|
|
|
|
“The reason is,” said the Gryphon, “that they would go with the
|
|
lobsters to the dance. So they got thrown out to sea. So they had to
|
|
fall a long way. So they got their tails fast in their mouths. So they
|
|
couldn’t get them out again. That’s all.”
|
|
|
|
“Thank you,” said Alice, “it’s very interesting. I never knew so much
|
|
about a whiting before.”
|
|
|
|
“I can tell you more than that, if you like,” said the Gryphon. “Do you
|
|
know why it’s called a whiting?”
|
|
|
|
“I never thought about it,” said Alice. “Why?”
|
|
|
|
“It does the boots and shoes,” the Gryphon replied very solemnly.
|
|
|
|
Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated
|
|
in a wondering tone.
|
|
|
|
“Why, what are your shoes done with?” said the Gryphon. “I mean, what
|
|
makes them so shiny?”
|
|
|
|
Alice looked down at them, and considered a little before she gave her
|
|
answer. “They’re done with blacking, I believe.”
|
|
|
|
“Boots and shoes under the sea,” the Gryphon went on in a deep voice,
|
|
“are done with a whiting. Now you know.”
|
|
|
|
“And what are they made of?” Alice asked in a tone of great curiosity.
|
|
|
|
“Soles and eels, of course,” the Gryphon replied rather impatiently:
|
|
“any shrimp could have told you that.”
|
|
|
|
“If I’d been the whiting,” said Alice, whose thoughts were still
|
|
running on the song, “I’d have said to the porpoise, ‘Keep back,
|
|
please: we don’t want you with us!’”
|
|
|
|
“They were obliged to have him with them,” the Mock Turtle said: “no
|
|
wise fish would go anywhere without a porpoise.”
|
|
|
|
“Wouldn’t it really?” said Alice in a tone of great surprise.
|
|
|
|
“Of course not,” said the Mock Turtle: “why, if a fish came to me,
|
|
and told me he was going a journey, I should say ‘With what porpoise?’”
|
|
|
|
“Don’t you mean ‘purpose’?” said Alice.
|
|
|
|
“I mean what I say,” the Mock Turtle replied in an offended tone. And
|
|
the Gryphon added “Come, let’s hear some of your adventures.”
|
|
|
|
“I could tell you my adventures—beginning from this morning,” said
|
|
Alice a little timidly: “but it’s no use going back to yesterday,
|
|
because I was a different person then.”
|
|
|
|
“Explain all that,” said the Mock Turtle.
|
|
|
|
“No, no! The adventures first,” said the Gryphon in an impatient tone:
|
|
“explanations take such a dreadful time.”
|
|
|
|
So Alice began telling them her adventures from the time when she first
|
|
saw the White Rabbit. She was a little nervous about it just at first,
|
|
the two creatures got so close to her, one on each side, and opened
|
|
their eyes and mouths so very wide, but she gained courage as she
|
|
went on. Her listeners were perfectly quiet till she got to the part
|
|
about her repeating “You are old, Father William,” to the
|
|
Caterpillar, and the words all coming different, and then the Mock
|
|
Turtle drew a long breath, and said “That’s very curious.”
|
|
|
|
“It’s all about as curious as it can be,” said the Gryphon.
|
|
|
|
“It all came different!” the Mock Turtle repeated thoughtfully. “I
|
|
should like to hear her try and repeat something now. Tell her to
|
|
begin.” He looked at the Gryphon as if he thought it had some kind of
|
|
authority over Alice.
|
|
|
|
“Stand up and repeat ‘’Tis the voice of the sluggard,’” said the
|
|
Gryphon.
|
|
|
|
“How the creatures order one about, and make one repeat lessons!”
|
|
thought Alice; “I might as well be at school at once.” However, she got
|
|
up, and began to repeat it, but her head was so full of the Lobster
|
|
Quadrille, that she hardly knew what she was saying, and the words came
|
|
very queer indeed:—
|
|
|
|
“’Tis the voice of the Lobster; I heard him declare,
|
|
“You have baked me too brown, I must sugar my hair.”
|
|
As a duck with its eyelids, so he with his nose
|
|
Trims his belt and his buttons, and turns out his toes.”
|
|
|
|
[later editions continued as follows
|
|
When the sands are all dry, he is gay as a lark,
|
|
And will talk in contemptuous tones of the Shark,
|
|
But, when the tide rises and sharks are around,
|
|
His voice has a timid and tremulous sound.]
|
|
|
|
|
|
“That’s different from what I used to say when I was a child,” said
|
|
the Gryphon.
|
|
|
|
“Well, I never heard it before,” said the Mock Turtle; “but it sounds
|
|
uncommon nonsense.”
|
|
|
|
Alice said nothing; she had sat down with her face in her hands,
|
|
wondering if anything would ever happen in a natural way again.
|
|
|
|
“I should like to have it explained,” said the Mock Turtle.
|
|
|
|
“She can’t explain it,” said the Gryphon hastily. “Go on with the next
|
|
verse.”
|
|
|
|
“But about his toes?” the Mock Turtle persisted. “How could he turn
|
|
them out with his nose, you know?”
|
|
|
|
“It’s the first position in dancing.” Alice said; but was dreadfully
|
|
puzzled by the whole thing, and longed to change the subject.
|
|
|
|
“Go on with the next verse,” the Gryphon repeated impatiently: “it
|
|
begins ‘I passed by his garden.’”
|
|
|
|
Alice did not dare to disobey, though she felt sure it would all come
|
|
wrong, and she went on in a trembling voice:—
|
|
|
|
“I passed by his garden, and marked, with one eye,
|
|
How the Owl and the Panther were sharing a pie—”
|
|
|
|
[later editions continued as follows
|
|
The Panther took pie-crust, and gravy, and meat,
|
|
While the Owl had the dish as its share of the treat.
|
|
When the pie was all finished, the Owl, as a boon,
|
|
Was kindly permitted to pocket the spoon:
|
|
While the Panther received knife and fork with a growl,
|
|
And concluded the banquet—]
|
|
|
|
|
|
“What is the use of repeating all that stuff,” the Mock Turtle
|
|
interrupted, “if you don’t explain it as you go on? It’s by far the
|
|
most confusing thing I ever heard!”
|
|
|
|
“Yes, I think you’d better leave off,” said the Gryphon: and Alice was
|
|
only too glad to do so.
|
|
|
|
“Shall we try another figure of the Lobster Quadrille?” the Gryphon
|
|
went on. “Or would you like the Mock Turtle to sing you a song?”
|
|
|
|
“Oh, a song, please, if the Mock Turtle would be so kind,” Alice
|
|
replied, so eagerly that the Gryphon said, in a rather offended tone,
|
|
“Hm! No accounting for tastes! Sing her ‘Turtle Soup,’ will you, old
|
|
fellow?”
|
|
|
|
The Mock Turtle sighed deeply, and began, in a voice sometimes choked
|
|
with sobs, to sing this:—
|
|
|
|
“Beautiful Soup, so rich and green,
|
|
Waiting in a hot tureen!
|
|
Who for such dainties would not stoop?
|
|
Soup of the evening, beautiful Soup!
|
|
Soup of the evening, beautiful Soup!
|
|
Beau—ootiful Soo—oop!
|
|
Beau—ootiful Soo—oop!
|
|
Soo—oop of the e—e—evening,
|
|
Beautiful, beautiful Soup!
|
|
|
|
“Beautiful Soup! Who cares for fish,
|
|
Game, or any other dish?
|
|
Who would not give all else for two p
|
|
ennyworth only of beautiful Soup?
|
|
Pennyworth only of beautiful Soup?
|
|
Beau—ootiful Soo—oop!
|
|
Beau—ootiful Soo—oop!
|
|
Soo—oop of the e—e—evening,
|
|
Beautiful, beauti—FUL SOUP!”
|
|
|
|
|
|
“Chorus again!” cried the Gryphon, and the Mock Turtle had just begun
|
|
to repeat it, when a cry of “The trial’s beginning!” was heard in the
|
|
distance.
|
|
|
|
“Come on!” cried the Gryphon, and, taking Alice by the hand, it hurried
|
|
off, without waiting for the end of the song.
|
|
|
|
“What trial is it?” Alice panted as she ran; but the Gryphon only
|
|
answered “Come on!” and ran the faster, while more and more faintly
|
|
came, carried on the breeze that followed them, the melancholy words:—
|
|
|
|
“Soo—oop of the e—e—evening,
|
|
Beautiful, beautiful Soup!”
|
|
|
|
|
|
|
|
|
|
Who Stole the Tarts?
|
|
|
|
|
|
The King and Queen of Hearts were seated on their throne when they
|
|
arrived, with a great crowd assembled about them—all sorts of little
|
|
birds and beasts, as well as the whole pack of cards: the Knave was
|
|
standing before them, in chains, with a soldier on each side to guard
|
|
him; and near the King was the White Rabbit, with a trumpet in one
|
|
hand, and a scroll of parchment in the other. In the very middle of the
|
|
court was a table, with a large dish of tarts upon it: they looked so
|
|
good, that it made Alice quite hungry to look at them—“I wish they’d
|
|
get the trial done,” she thought, “and hand round the refreshments!”
|
|
But there seemed to be no chance of this, so she began looking at
|
|
everything about her, to pass away the time.
|
|
|
|
Alice had never been in a court of justice before, but she had read
|
|
about them in books, and she was quite pleased to find that she knew
|
|
the name of nearly everything there. “That’s the judge,” she said to
|
|
herself, “because of his great wig.”
|
|
|
|
The judge, by the way, was the King; and as he wore his crown over the
|
|
wig, (look at the frontispiece if you want to see how he did it,) he
|
|
did not look at all comfortable, and it was certainly not becoming.
|
|
|
|
“And that’s the jury-box,” thought Alice, “and those twelve creatures,”
|
|
(she was obliged to say “creatures,” you see, because some of them were
|
|
animals, and some were birds,) “I suppose they are the jurors.” She
|
|
said this last word two or three times over to herself, being rather
|
|
proud of it: for she thought, and rightly too, that very few little
|
|
girls of her age knew the meaning of it at all. However, “jury-men”
|
|
would have done just as well.
|
|
|
|
The twelve jurors were all writing very busily on slates. “What are
|
|
they doing?” Alice whispered to the Gryphon. “They can’t have anything
|
|
to put down yet, before the trial’s begun.”
|
|
|
|
“They’re putting down their names,” the Gryphon whispered in reply,
|
|
“for fear they should forget them before the end of the trial.”
|
|
|
|
“Stupid things!” Alice began in a loud, indignant voice, but she
|
|
stopped hastily, for the White Rabbit cried out, “Silence in the
|
|
court!” and the King put on his spectacles and looked anxiously round,
|
|
to make out who was talking.
|
|
|
|
Alice could see, as well as if she were looking over their shoulders,
|
|
that all the jurors were writing down “stupid things!” on their slates,
|
|
and she could even make out that one of them didn’t know how to spell
|
|
“stupid,” and that he had to ask his neighbour to tell him. “A nice
|
|
muddle their slates’ll be in before the trial’s over!” thought Alice.
|
|
|
|
One of the jurors had a pencil that squeaked. This of course, Alice
|
|
could not stand, and she went round the court and got behind him, and
|
|
very soon found an opportunity of taking it away. She did it so quickly
|
|
that the poor little juror (it was Bill, the Lizard) could not make out
|
|
at all what had become of it; so, after hunting all about for it, he
|
|
was obliged to write with one finger for the rest of the day; and this
|
|
was of very little use, as it left no mark on the slate.
|
|
|
|
“Herald, read the accusation!” said the King.
|
|
|
|
On this the White Rabbit blew three blasts on the trumpet, and then
|
|
unrolled the parchment scroll, and read as follows:—
|
|
|
|
“The Queen of Hearts, she made some tarts,
|
|
All on a summer day:
|
|
The Knave of Hearts, he stole those tarts,
|
|
And took them quite away!”
|
|
|
|
|
|
“Consider your verdict,” the King said to the jury.
|
|
|
|
“Not yet, not yet!” the Rabbit hastily interrupted. “There’s a great
|
|
deal to come before that!”
|
|
|
|
“Call the first witness,” said the King; and the White Rabbit blew
|
|
three blasts on the trumpet, and called out, “First witness!”
|
|
|
|
The first witness was the Hatter. He came in with a teacup in one hand
|
|
and a piece of bread-and-butter in the other. “I beg pardon, your
|
|
Majesty,” he began, “for bringing these in: but I hadn’t quite finished
|
|
my tea when I was sent for.”
|
|
|
|
“You ought to have finished,” said the King. “When did you begin?”
|
|
|
|
The Hatter looked at the March Hare, who had followed him into the
|
|
court, arm-in-arm with the Dormouse. “Fourteenth of March, I think it
|
|
was,” he said.
|
|
|
|
“Fifteenth,” said the March Hare.
|
|
|
|
“Sixteenth,” added the Dormouse.
|
|
|
|
“Write that down,” the King said to the jury, and the jury eagerly
|
|
wrote down all three dates on their slates, and then added them up, and
|
|
reduced the answer to shillings and pence.
|
|
|
|
“Take off your hat,” the King said to the Hatter.
|
|
|
|
“It isn’t mine,” said the Hatter.
|
|
|
|
“Stolen!” the King exclaimed, turning to the jury, who instantly made
|
|
a memorandum of the fact.
|
|
|
|
“I keep them to sell,” the Hatter added as an explanation; “I’ve none
|
|
of my own. I’m a hatter.”
|
|
|
|
Here the Queen put on her spectacles, and began staring at the Hatter,
|
|
who turned pale and fidgeted.
|
|
|
|
“Give your evidence,” said the King; “and don’t be nervous, or I’ll
|
|
have you executed on the spot.”
|
|
|
|
This did not seem to encourage the witness at all: he kept shifting
|
|
from one foot to the other, looking uneasily at the Queen, and in his
|
|
confusion he bit a large piece out of his teacup instead of the
|
|
bread-and-butter.
|
|
|
|
Just at this moment Alice felt a very curious sensation, which puzzled
|
|
her a good deal until she made out what it was: she was beginning to
|
|
grow larger again, and she thought at first she would get up and leave
|
|
the court; but on second thoughts she decided to remain where she was
|
|
as long as there was room for her.
|
|
|
|
“I wish you wouldn’t squeeze so.” said the Dormouse, who was sitting
|
|
next to her. “I can hardly breathe.”
|
|
|
|
“I can’t help it,” said Alice very meekly: “I’m growing.”
|
|
|
|
“You’ve no right to grow here,” said the Dormouse.
|
|
|
|
“Don’t talk nonsense,” said Alice more boldly: “you know you’re growing
|
|
too.”
|
|
|
|
“Yes, but I grow at a reasonable pace,” said the Dormouse: “not in
|
|
that ridiculous fashion.” And he got up very sulkily and crossed over
|
|
to the other side of the court.
|
|
|
|
All this time the Queen had never left off staring at the Hatter, and,
|
|
just as the Dormouse crossed the court, she said to one of the officers
|
|
of the court, “Bring me the list of the singers in the last concert!”
|
|
on which the wretched Hatter trembled so, that he shook both his shoes
|
|
off.
|
|
|
|
“Give your evidence,” the King repeated angrily, “or I’ll have you
|
|
executed, whether you’re nervous or not.”
|
|
|
|
“I’m a poor man, your Majesty,” the Hatter began, in a trembling voice,
|
|
“—and I hadn’t begun my tea—not above a week or so—and what with the
|
|
bread-and-butter getting so thin—and the twinkling of the tea—”
|
|
|
|
“The twinkling of the what?” said the King.
|
|
|
|
“It began with the tea,” the Hatter replied.
|
|
|
|
“Of course twinkling begins with a T!” said the King sharply. “Do you
|
|
take me for a dunce? Go on!”
|
|
|
|
“I’m a poor man,” the Hatter went on, “and most things twinkled after
|
|
that—only the March Hare said—”
|
|
|
|
“I didn’t!” the March Hare interrupted in a great hurry.
|
|
|
|
“You did!” said the Hatter.
|
|
|
|
“I deny it!” said the March Hare.
|
|
|
|
“He denies it,” said the King: “leave out that part.”
|
|
|
|
“Well, at any rate, the Dormouse said—” the Hatter went on, looking
|
|
anxiously round to see if he would deny it too: but the Dormouse denied
|
|
nothing, being fast asleep.
|
|
|
|
“After that,” continued the Hatter, “I cut some more bread-and-butter—”
|
|
|
|
“But what did the Dormouse say?” one of the jury asked.
|
|
|
|
“That I can’t remember,” said the Hatter.
|
|
|
|
“You must remember,” remarked the King, “or I’ll have you executed.”
|
|
|
|
The miserable Hatter dropped his teacup and bread-and-butter, and went
|
|
down on one knee. “I’m a poor man, your Majesty,” he began.
|
|
|
|
“You’re a very poor speaker,” said the King.
|
|
|
|
Here one of the guinea-pigs cheered, and was immediately suppressed by
|
|
the officers of the court. (As that is rather a hard word, I will just
|
|
explain to you how it was done. They had a large canvas bag, which tied
|
|
up at the mouth with strings: into this they slipped the guinea-pig,
|
|
head first, and then sat upon it.)
|
|
|
|
“I’m glad I’ve seen that done,” thought Alice. “I’ve so often read in
|
|
the newspapers, at the end of trials, “There was some attempts at
|
|
applause, which was immediately suppressed by the officers of the
|
|
court,” and I never understood what it meant till now.”
|
|
|
|
“If that’s all you know about it, you may stand down,” continued the
|
|
King.
|
|
|
|
“I can’t go no lower,” said the Hatter: “I’m on the floor, as it is.”
|
|
|
|
“Then you may sit down,” the King replied.
|
|
|
|
Here the other guinea-pig cheered, and was suppressed.
|
|
|
|
“Come, that finished the guinea-pigs!” thought Alice. “Now we shall get
|
|
on better.”
|
|
|
|
“I’d rather finish my tea,” said the Hatter, with an anxious look at
|
|
the Queen, who was reading the list of singers.
|
|
|
|
“You may go,” said the King, and the Hatter hurriedly left the court,
|
|
without even waiting to put his shoes on.
|
|
|
|
“—and just take his head off outside,” the Queen added to one of the
|
|
officers: but the Hatter was out of sight before the officer could get
|
|
to the door.
|
|
|
|
“Call the next witness!” said the King.
|
|
|
|
The next witness was the Duchess’s cook. She carried the pepper-box in
|
|
her hand, and Alice guessed who it was, even before she got into the
|
|
court, by the way the people near the door began sneezing all at once.
|
|
|
|
“Give your evidence,” said the King.
|
|
|
|
“Shan’t,” said the cook.
|
|
|
|
The King looked anxiously at the White Rabbit, who said in a low voice,
|
|
“Your Majesty must cross-examine this witness.”
|
|
|
|
“Well, if I must, I must,” the King said, with a melancholy air, and,
|
|
after folding his arms and frowning at the cook till his eyes were
|
|
nearly out of sight, he said in a deep voice, “What are tarts made of?”
|
|
|
|
“Pepper, mostly,” said the cook.
|
|
|
|
“Treacle,” said a sleepy voice behind her.
|
|
|
|
“Collar that Dormouse,” the Queen shrieked out. “Behead that Dormouse!
|
|
Turn that Dormouse out of court! Suppress him! Pinch him! Off with his
|
|
whiskers!”
|
|
|
|
For some minutes the whole court was in confusion, getting the Dormouse
|
|
turned out, and, by the time they had settled down again, the cook had
|
|
disappeared.
|
|
|
|
“Never mind!” said the King, with an air of great relief. “Call the
|
|
next witness.” And he added in an undertone to the Queen, “Really, my
|
|
dear, you must cross-examine the next witness. It quite makes my
|
|
forehead ache!”
|
|
|
|
Alice watched the White Rabbit as he fumbled over the list, feeling
|
|
very curious to see what the next witness would be like, “—for they
|
|
haven’t got much evidence yet,” she said to herself. Imagine her
|
|
surprise, when the White Rabbit read out, at the top of his shrill
|
|
little voice, the name “Alice!”
|
|
|
|
|
|
|
|
|
|
Alice’s Evidence
|
|
|
|
|
|
“Here!” cried Alice, quite forgetting in the flurry of the moment how
|
|
large she had grown in the last few minutes, and she jumped up in such
|
|
a hurry that she tipped over the jury-box with the edge of her skirt,
|
|
upsetting all the jurymen on to the heads of the crowd below, and there
|
|
they lay sprawling about, reminding her very much of a globe of
|
|
goldfish she had accidentally upset the week before.
|
|
|
|
“Oh, I beg your pardon!” she exclaimed in a tone of great dismay, and
|
|
began picking them up again as quickly as she could, for the accident
|
|
of the goldfish kept running in her head, and she had a vague sort of
|
|
idea that they must be collected at once and put back into the
|
|
jury-box, or they would die.
|
|
|
|
“The trial cannot proceed,” said the King in a very grave voice, “until
|
|
all the jurymen are back in their proper places—all,” he repeated
|
|
with great emphasis, looking hard at Alice as he said so.
|
|
|
|
Alice looked at the jury-box, and saw that, in her haste, she had put
|
|
the Lizard in head downwards, and the poor little thing was waving its
|
|
tail about in a melancholy way, being quite unable to move. She soon
|
|
got it out again, and put it right; “not that it signifies much,” she
|
|
said to herself; “I should think it would be quite as much use in the
|
|
trial one way up as the other.”
|
|
|
|
As soon as the jury had a little recovered from the shock of being
|
|
upset, and their slates and pencils had been found and handed back to
|
|
them, they set to work very diligently to write out a history of the
|
|
accident, all except the Lizard, who seemed too much overcome to do
|
|
anything but sit with its mouth open, gazing up into the roof of the
|
|
court.
|
|
|
|
“What do you know about this business?” the King said to Alice.
|
|
|
|
“Nothing,” said Alice.
|
|
|
|
“Nothing whatever?” persisted the King.
|
|
|
|
“Nothing whatever,” said Alice.
|
|
|
|
“That’s very important,” the King said, turning to the jury. They were
|
|
just beginning to write this down on their slates, when the White
|
|
Rabbit interrupted: “Unimportant, your Majesty means, of course,” he
|
|
said in a very respectful tone, but frowning and making faces at him as
|
|
he spoke.
|
|
|
|
“Unimportant, of course, I meant,” the King hastily said, and went on
|
|
to himself in an undertone,
|
|
|
|
“important—unimportant—unimportant—important—” as if he were trying
|
|
which word sounded best.
|
|
|
|
Some of the jury wrote it down “important,” and some “unimportant.”
|
|
Alice could see this, as she was near enough to look over their slates;
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“but it doesn’t matter a bit,” she thought to herself.
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At this moment the King, who had been for some time busily writing in
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his note-book, cackled out “Silence!” and read out from his book, “Rule
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Forty-two. All persons more than a mile high to leave the court.”
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Everybody looked at Alice.
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“I’m not a mile high,” said Alice.
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“You are,” said the King.
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“Nearly two miles high,” added the Queen.
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“Well, I shan’t go, at any rate,” said Alice: “besides, that’s not a
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regular rule: you invented it just now.”
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“It’s the oldest rule in the book,” said the King.
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“Then it ought to be Number One,” said Alice.
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The King turned pale, and shut his note-book hastily. “Consider your
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verdict,” he said to the jury, in a low, trembling voice.
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“There’s more evidence to come yet, please your Majesty,” said the
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White Rabbit, jumping up in a great hurry; “this paper has just been
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picked up.”
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“What’s in it?” said the Queen.
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“I haven’t opened it yet,” said the White Rabbit, “but it seems to be a
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letter, written by the prisoner to—to somebody.”
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“It must have been that,” said the King, “unless it was written to
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nobody, which isn’t usual, you know.”
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“Who is it directed to?” said one of the jurymen.
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“It isn’t directed at all,” said the White Rabbit; “in fact, there’s
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nothing written on the outside.” He unfolded the paper as he spoke,
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and added “It isn’t a letter, after all: it’s a set of verses.”
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“Are they in the prisoner’s handwriting?” asked another of the jurymen.
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“No, they’re not,” said the White Rabbit, “and that’s the queerest
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thing about it.” (The jury all looked puzzled.)
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“He must have imitated somebody else’s hand,” said the King. (The jury
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all brightened up again.)
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“Please your Majesty,” said the Knave, “I didn’t write it, and they
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can’t prove I did: there’s no name signed at the end.”
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“If you didn’t sign it,” said the King, “that only makes the matter
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worse. You must have meant some mischief, or else you’d have signed
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your name like an honest man.”
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There was a general clapping of hands at this: it was the first really
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clever thing the King had said that day.
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“That proves his guilt,” said the Queen.
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“It proves nothing of the sort!” said Alice. “Why, you don’t even know
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what they’re about!”
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“Read them,” said the King.
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The White Rabbit put on his spectacles. “Where shall I begin, please
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your Majesty?” he asked.
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“Begin at the beginning,” the King said gravely, “and go on till you
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come to the end: then stop.”
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These were the verses the White Rabbit read:—
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“They told me you had been to her,
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And mentioned me to him:
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She gave me a good character,
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But said I could not swim.
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He sent them word I had not gone
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(We know it to be true):
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|
If she should push the matter on,
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What would become of you?
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I gave her one, they gave him two,
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You gave us three or more;
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They all returned from him to you,
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Though they were mine before.
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If I or she should chance to be
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|
Involved in this affair,
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He trusts to you to set them free,
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Exactly as we were.
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My notion was that you had been
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(Before she had this fit)
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An obstacle that came between
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Him, and ourselves, and it.
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Don’t let him know she liked them best,
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For this must ever be
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A secret, kept from all the rest,
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|
Between yourself and me.”
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“That’s the most important piece of evidence we’ve heard yet,” said the
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King, rubbing his hands; “so now let the jury—”
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|
“If any one of them can explain it,” said Alice, (she had grown so
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|
large in the last few minutes that she wasn’t a bit afraid of
|
|
interrupting him,) “I’ll give him sixpence. I don’t believe there’s
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|
an atom of meaning in it.”
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|
The jury all wrote down on their slates, “She doesn’t believe there’s
|
|
an atom of meaning in it,” but none of them attempted to explain the
|
|
paper.
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|
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|
“If there’s no meaning in it,” said the King, “that saves a world of
|
|
trouble, you know, as we needn’t try to find any. And yet I don’t
|
|
know,” he went on, spreading out the verses on his knee, and looking at
|
|
them with one eye; “I seem to see some meaning in them, after all.
|
|
“—said I could not swim—” you can’t swim, can you?” he added, turning
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|
to the Knave.
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|
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|
The Knave shook his head sadly. “Do I look like it?” he said. (Which he
|
|
certainly did not, being made entirely of cardboard.)
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|
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|
“All right, so far,” said the King, and he went on muttering over the
|
|
verses to himself: “‘We know it to be true—’ that’s the jury, of
|
|
course—‘I gave her one, they gave him two—’ why, that must be what he
|
|
did with the tarts, you know—”
|
|
|
|
“But, it goes on ‘they all returned from him to you,’” said Alice.
|
|
|
|
“Why, there they are!” said the King triumphantly, pointing to the
|
|
tarts on the table. “Nothing can be clearer than that. Then
|
|
again—‘before she had this fit—’ you never had fits, my dear, I
|
|
think?” he said to the Queen.
|
|
|
|
“Never!” said the Queen furiously, throwing an inkstand at the Lizard
|
|
as she spoke. (The unfortunate little Bill had left off writing on his
|
|
slate with one finger, as he found it made no mark; but he now hastily
|
|
began again, using the ink, that was trickling down his face, as long
|
|
as it lasted.)
|
|
|
|
“Then the words don’t fit you,” said the King, looking round the
|
|
court with a smile. There was a dead silence.
|
|
|
|
“It’s a pun!” the King added in an offended tone, and everybody
|
|
laughed, “Let the jury consider their verdict,” the King said, for
|
|
about the twentieth time that day.
|
|
|
|
“No, no!” said the Queen. “Sentence first—verdict afterwards.”
|
|
|
|
“Stuff and nonsense!” said Alice loudly. “The idea of having the
|
|
sentence first!”
|
|
|
|
“Hold your tongue!” said the Queen, turning purple.
|
|
|
|
“I won’t!” said Alice.
|
|
|
|
“Off with her head!” the Queen shouted at the top of her voice. Nobody
|
|
moved.
|
|
|
|
“Who cares for you?” said Alice, (she had grown to her full size by
|
|
this time.) “You’re nothing but a pack of cards!”
|
|
|
|
At this the whole pack rose up into the air, and came flying down upon
|
|
her: she gave a little scream, half of fright and half of anger, and
|
|
tried to beat them off, and found herself lying on the bank, with her
|
|
head in the lap of her sister, who was gently brushing away some dead
|
|
leaves that had fluttered down from the trees upon her face.
|
|
|
|
“Wake up, Alice dear!” said her sister; “Why, what a long sleep you’ve
|
|
had!”
|
|
|
|
“Oh, I’ve had such a curious dream!” said Alice, and she told her
|
|
sister, as well as she could remember them, all these strange
|
|
Adventures of hers that you have just been reading about; and when she
|
|
had finished, her sister kissed her, and said, “It was a curious
|
|
dream, dear, certainly: but now run in to your tea; it’s getting late.”
|
|
So Alice got up and ran off, thinking while she ran, as well she might,
|
|
what a wonderful dream it had been.
|
|
|
|
|
|
But her sister sat still just as she left her, leaning her head on her
|
|
hand, watching the setting sun, and thinking of little Alice and all
|
|
her wonderful Adventures, till she too began dreaming after a fashion,
|
|
and this was her dream:—
|
|
|
|
First, she dreamed of little Alice herself, and once again the tiny
|
|
hands were clasped upon her knee, and the bright eager eyes were
|
|
looking up into hers—she could hear the very tones of her voice, and
|
|
see that queer little toss of her head to keep back the wandering hair
|
|
that would always get into her eyes—and still as she listened, or
|
|
seemed to listen, the whole place around her became alive with the
|
|
strange creatures of her little sister’s dream.
|
|
|
|
The long grass rustled at her feet as the White Rabbit hurried by—the
|
|
frightened Mouse splashed his way through the neighbouring pool—she
|
|
could hear the rattle of the teacups as the March Hare and his friends
|
|
shared their never-ending meal, and the shrill voice of the Queen
|
|
ordering off her unfortunate guests to execution—once more the pig-baby
|
|
was sneezing on the Duchess’s knee, while plates and dishes crashed
|
|
around it—once more the shriek of the Gryphon, the squeaking of the
|
|
Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs,
|
|
filled the air, mixed up with the distant sobs of the miserable Mock
|
|
Turtle.
|
|
|
|
So she sat on, with closed eyes, and half believed herself in
|
|
Wonderland, though she knew she had but to open them again, and all
|
|
would change to dull reality—the grass would be only rustling in the
|
|
wind, and the pool rippling to the waving of the reeds—the rattling
|
|
teacups would change to tinkling sheep-bells, and the Queen’s shrill
|
|
cries to the voice of the shepherd boy—and the sneeze of the baby, the
|
|
shriek of the Gryphon, and all the other queer noises, would change
|
|
(she knew) to the confused clamour of the busy farm-yard—while the
|
|
lowing of the cattle in the distance would take the place of the Mock
|
|
Turtle’s heavy sobs.
|
|
|
|
Lastly, she pictured to herself how this same little sister of hers
|
|
would, in the after-time, be herself a grown woman; and how she would
|
|
keep, through all her riper years, the simple and loving heart of her
|
|
childhood: and how she would gather about her other little children,
|
|
and make their eyes bright and eager with many a strange tale,
|
|
perhaps even with the dream of Wonderland of long ago: and how she
|
|
would feel with all their simple sorrows, and find a pleasure in all
|
|
their simple joys, remembering her own child-life, and the happy summer
|
|
days.
|